NADAAA在韓國光州的安裝場地的特點：在一個交叉路口建設(shè)多種規(guī)模和類型的建筑，這些建筑充分利用每個角落的特點，可以說安裝場地屬于一個過渡場地。場地的寬度不存在任何尺度或重力干預(yù)的可能性。安裝場地所在土地上遍布基礎(chǔ)設(shè)施，比如電桿、下水道管線、路燈及其他技術(shù)裝備。這些基礎(chǔ)設(shè)施對居住或地面重新定義的可能性帶來不少困難。反過來，街道邊緣種有一排樹，這些樹巧妙地利用剩余空間，這樣它們的根部就會能在拐角處得到很好的固定。因此，我們計劃將擬建作品放置在這塊天地之間的空地上，充分利用遍布樹木的自然空間。采用逆向澆鑄法，通過精確幾何模板來確定展館的形狀，然后模板由隨機交叉的鋼筋填充，從柱的線性形態(tài)過渡到頂部浮動的水平幾何體。在這個角落，作品就得像變色龍那樣適應(yīng)這里的環(huán)境；從樹枝邏輯中得到啟發(fā)，在頂端建設(shè)一個有生氣的結(jié)構(gòu)，可在角落里窺視四周，并充分利用曾經(jīng)被城墻占用的空間。

The NADAAA Gwangju installation site is characterized by a road crossing with a diverse set of scales and building types that anchor each corner, a site in transition. Its width does not display the possibility of an intervention of any scale or gravitas. Its ground is strewn with infrastructure: electrical posts, sewer connections, street lights, and other technical paraphernalia that refute the possibility of inhabiting or redefining the ground. In turn, the street edge is defined by a row of trees, delicately placed within the remaining spaces such that their roots may find some traction as they navigate the corner. Our project, then, is lodged in that interstitial space,between the ground and the sky, enmeshed in the natural space of the trees. Making use of a method of reverse casting,the form of the pavilion is defined by geometrically precise formwork that is then filled by randomly intersecting steel rods which transition from the linearity of a column to the more horizontal geometry of the floating mass above. Inhabiting this corner, the installation is chameleonic; encrytped within the logic of the branches, a seemingly animated structure floats overhead, peeking around the corners giving body to the space that was once occupied by the city wall.