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        圖爾奈建筑學院,圖爾奈,比利時Architecture Faculty in Tournai, Tournai, Belgium, 2017

        2018-01-04 08:51:11建筑設計艾利斯馬特烏斯建筑事務所
        世界建筑 2017年12期
        關鍵詞:圖爾內景外景

        建筑設計:艾利斯·馬特烏斯建筑事務所

        Architects: Aires Mateus

        圖爾奈建筑學院,圖爾奈,比利時
        Architecture Faculty in Tournai, Tournai, Belgium, 2017

        建筑設計:艾利斯·馬特烏斯建筑事務所

        Architects: Aires Mateus

        該項目位于不同風格和不同時代的建筑共存的歷史性城市街區(qū)的內部。這里有兩座工業(yè)建筑和一座曾被用為醫(yī)院的修道院。新建筑的選址是為了將這里的每一座建筑結合在一起,并且定義新的外部空間。整個街區(qū)內所有現存的建筑都在垂直和水平方向連接在一起。在內部承擔了一些公共功能,如門廳和禮堂,不僅是作為走廊空間和會議場所,還作為新身份的一部分?!酰愑隇t 譯)

        The project occupies the interior of a historical city block where buildings from different identities and periods coexist. There are two industrial buildings and a convent that has been used as a hospital. The new building is positioned in order to bond together each of these structures and to de fi ne new external spaces. All the existing buildings are connected vertically and horizontally throughout the block. Inside, public functions are sheltered,like the foyer and auditorium, operating not only as passage spaces and meeting venues, but also as a part of a new identity.□

        2 總平面/Site plan

        1 入口外景/Exterior view of the entrance

        3 鳥瞰效果圖/Rendering of aerial view

        項目信息/Credits and Data

        客戶/Client: Université Catholique de Louvain

        主持建筑師/Principal Architects: Manuel Aires Mateus,Francisco Aires Mateus

        項目負責人/Project Leader: Jorge P Silva

        合作者/Collaborators: Susana Rodrigues, Joana Carmo Sim?es, Vania Fernandes, Sara Nobre, So fi a Paradela, Inês Gulbenkian, Bernardo Sousa, Isabel Sousa, Aiden そornhill,そéophile Legrain, Antoine Pruvost, Charles Cossement

        工程設計/Engineering: Tradeco

        承建商/Constructor: Tradeco

        基地面積/Site Area: 5990m2

        建筑面積/Floor Area: 7010m2

        設計時間/Date of Project: 2014-2015

        施工時間/Date of Construction: 2015-2017

        攝影/Photos: Tim Van de Velde

        4 立面/Elevations

        5 立面/Elevations

        6 入口/Entrance

        7 入口/Entrance

        8 首層平面/Ground fl oor plan

        9 二層平面/1st fl oor plan

        11 外景/Exterior views

        12外景/Exterior views

        10 三層平面/2nd fl oor plan

        14 剖面/Sections

        15 剖面/Sections

        13 外景/Exterior views

        16內景/Interior views

        評論

        胡恒:設計者應該是西扎的粉絲。白色長條矩形塊為主,局部挖出負型幾何體,轉角內切懸挑,垂直與水平光井交織,這些西扎的慣用手法,在此運用得像模像樣。只是以完整的雙坡小屋為負型母體,脫離了西扎軌道。這依舊是傳統(tǒng)的靜態(tài)造型思維,不像西扎的片段幾何體的負型(半圓、L型、反U)能夠互補互動,一同制造出有機統(tǒng)一的內部光環(huán)境。另外,室內的雙坡小屋、大樓梯也是如此。雖然精致漂亮,也都過于獨立,沒有參與光系統(tǒng)的組構工作。可見這個建筑只是披著張西扎的時髦外衣,骨子里還是個古典派。

        范路:在圖爾奈建筑學院項目中,新加建的體量連接了三座改造后的建筑——兩座工業(yè)建筑和一座曾被用作醫(yī)院的修道院。設計師在新建體量上挖切出房屋形的虛體,形成學院主入口。這一處理既為空間增加了歷史感,也改善了相鄰舊建筑的底層采光。新建筑灰白色模型般的材質,與舊建筑磚墻形成對比,也凸顯了虛體挖缺的表現力。而室內會堂、二三層陽臺和臨街立面開窗的形式處理,也是對主入口設計語言的呼應。

        Comments

        HU Heng: The designer should be Alvaro Siza's follower. Using mainly white long rectangular blocks,partially digging up negative geometries, cutting inside to form overhangs at corners, interleaving vertical and horizontal light wells, these modus operandi of Siza has been applied pretty decently.Only using a whole double pitched roof house as negative prototype is deviated from Siza's method.This is still the traditional static modelling thinking,unlike Siza's negative fragmental geometries(semicircle, L-shaped, reverse-U-shaped) that can be complementary and interactive, and create an organic and united interior light environment together. The same is true of the indoor double pitched house and the big staircase. Although delicate and beautiful, they are too independent to participate in the organisation of the light system.Therefore, this building is just wearing a fashionable coat of Siza, but still in the classical school inside.(Translated by CHEN Yuxiao)

        FAN Lu: In the project of Architecture School in Tournai, the extension connects three renovated historical buildings – two industrial buildings and a convent formerly used as a hospital. The main entrance of the school features a house-shaped void cut through the newly built block. The gabled opening not only brings about historical sense for interior spaces, but also leaves a gap for the fa?ade of an old building so as not to block out natural light. The off-white appearance of the new building contrasts to the brick wall blocks, meanwhile it emphasises the distinctive void entrance. In addition, the shapes of interior auditorium, balconies in upper floors and gable-shaped window, echoing to the formal language of the void entrance.

        17 內景/Interior views

        18 內景/Interior views

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