建筑設(shè)計(jì)：艾利斯·馬特烏斯建筑事務(wù)所

Architects: Aires Mateus

圖爾奈建筑學(xué)院，圖爾奈，比利時(shí)
Architecture Faculty in Tournai, Tournai, Belgium, 2017

建筑設(shè)計(jì)：艾利斯·馬特烏斯建筑事務(wù)所

Architects: Aires Mateus

該項(xiàng)目位于不同風(fēng)格和不同時(shí)代的建筑共存的歷史性城市街區(qū)的內(nèi)部。這里有兩座工業(yè)建筑和一座曾被用為醫(yī)院的修道院。新建筑的選址是為了將這里的每一座建筑結(jié)合在一起，并且定義新的外部空間。整個(gè)街區(qū)內(nèi)所有現(xiàn)存的建筑都在垂直和水平方向連接在一起。在內(nèi)部承擔(dān)了一些公共功能，如門廳和禮堂，不僅是作為走廊空間和會(huì)議場(chǎng)所，還作為新身份的一部分?！酰愑隇t 譯）

The project occupies the interior of a historical city block where buildings from different identities and periods coexist. There are two industrial buildings and a convent that has been used as a hospital. The new building is positioned in order to bond together each of these structures and to de fi ne new external spaces. All the existing buildings are connected vertically and horizontally throughout the block. Inside, public functions are sheltered,like the foyer and auditorium, operating not only as passage spaces and meeting venues, but also as a part of a new identity.□

2 總平面/Site plan

1 入口外景/Exterior view of the entrance

3 鳥瞰效果圖/Rendering of aerial view

項(xiàng)目信息/Credits and Data

客戶/Client: Université Catholique de Louvain

主持建筑師/Principal Architects: Manuel Aires Mateus,Francisco Aires Mateus

項(xiàng)目負(fù)責(zé)人/Project Leader: Jorge P Silva

合作者/Collaborators: Susana Rodrigues, Joana Carmo Sim?es, Vania Fernandes, Sara Nobre, So fi a Paradela, Inês Gulbenkian, Bernardo Sousa, Isabel Sousa, Aiden そornhill,そéophile Legrain, Antoine Pruvost, Charles Cossement

工程設(shè)計(jì)/Engineering: Tradeco

承建商/Constructor: Tradeco

基地面積/Site Area: 5990m2

建筑面積/Floor Area: 7010m2

設(shè)計(jì)時(shí)間/Date of Project: 2014-2015

施工時(shí)間/Date of Construction: 2015-2017

攝影/Photos: Tim Van de Velde

4 立面/Elevations

5 立面/Elevations

6 入口/Entrance

7 入口/Entrance

8 首層平面/Ground fl oor plan

9 二層平面/1st fl oor plan

11 外景/Exterior views

12外景/Exterior views

10 三層平面/2nd fl oor plan

14 剖面/Sections

15 剖面/Sections

13 外景/Exterior views

16內(nèi)景/Interior views

評(píng)論

胡恒：設(shè)計(jì)者應(yīng)該是西扎的粉絲。白色長(zhǎng)條矩形塊為主，局部挖出負(fù)型幾何體，轉(zhuǎn)角內(nèi)切懸挑，垂直與水平光井交織，這些西扎的慣用手法，在此運(yùn)用得像模像樣。只是以完整的雙坡小屋為負(fù)型母體，脫離了西扎軌道。這依舊是傳統(tǒng)的靜態(tài)造型思維，不像西扎的片段幾何體的負(fù)型（半圓、L型、反U）能夠互補(bǔ)互動(dòng)，一同制造出有機(jī)統(tǒng)一的內(nèi)部光環(huán)境。另外，室內(nèi)的雙坡小屋、大樓梯也是如此。雖然精致漂亮，也都過于獨(dú)立，沒有參與光系統(tǒng)的組構(gòu)工作?？梢娺@個(gè)建筑只是披著張西扎的時(shí)髦外衣，骨子里還是個(gè)古典派。

范路：在圖爾奈建筑學(xué)院項(xiàng)目中，新加建的體量連接了三座改造后的建筑——兩座工業(yè)建筑和一座曾被用作醫(yī)院的修道院。設(shè)計(jì)師在新建體量上挖切出房屋形的虛體，形成學(xué)院主入口。這一處理既為空間增加了歷史感，也改善了相鄰舊建筑的底層采光。新建筑灰白色模型般的材質(zhì)，與舊建筑磚墻形成對(duì)比，也凸顯了虛體挖缺的表現(xiàn)力。而室內(nèi)會(huì)堂、二三層陽臺(tái)和臨街立面開窗的形式處理，也是對(duì)主入口設(shè)計(jì)語言的呼應(yīng)。

Comments

HU Heng: The designer should be Alvaro Siza's follower. Using mainly white long rectangular blocks,partially digging up negative geometries, cutting inside to form overhangs at corners, interleaving vertical and horizontal light wells, these modus operandi of Siza has been applied pretty decently.Only using a whole double pitched roof house as negative prototype is deviated from Siza's method.This is still the traditional static modelling thinking,unlike Siza's negative fragmental geometries(semicircle, L-shaped, reverse-U-shaped) that can be complementary and interactive, and create an organic and united interior light environment together. The same is true of the indoor double pitched house and the big staircase. Although delicate and beautiful, they are too independent to participate in the organisation of the light system.Therefore, this building is just wearing a fashionable coat of Siza, but still in the classical school inside.(Translated by CHEN Yuxiao)

FAN Lu: In the project of Architecture School in Tournai, the extension connects three renovated historical buildings – two industrial buildings and a convent formerly used as a hospital. The main entrance of the school features a house-shaped void cut through the newly built block. The gabled opening not only brings about historical sense for interior spaces, but also leaves a gap for the fa?ade of an old building so as not to block out natural light. The off-white appearance of the new building contrasts to the brick wall blocks, meanwhile it emphasises the distinctive void entrance. In addition, the shapes of interior auditorium, balconies in upper floors and gable-shaped window, echoing to the formal language of the void entrance.

17 內(nèi)景/Interior views

18 內(nèi)景/Interior views