建筑設(shè)計(jì)：隈研吾建筑都市設(shè)計(jì)事務(wù)所

Architects: Kengo Kuma and Associates

十和田市民會館，青森，日本
Towada Civic Center Plaza, Aomori, Japan, 2014

建筑設(shè)計(jì)：隈研吾建筑都市設(shè)計(jì)事務(wù)所

Architects: Kengo Kuma and Associates

1 外景/Exterior view

這座木建筑是為人們集會而建的城市社區(qū)中心。建筑師在立面上使用了重復(fù)的屋頂，使之與周圍小房子的城市風(fēng)貌融為一體。在外墻上，護(hù)壁板之間留出了距離，向北側(cè)的街道展示出溫暖親切的一面。建筑前面的街道延伸到室內(nèi)，并由此得名“街道廣場”。它的周圍布置著兒童游樂室、烹飪坊和榻榻米房間?！酰ㄉ袝x 譯）

This wooden building was constructed as the city's community center for people to gather. We repeated the roofs for the fa?ade so that it could merge into the neighbouring townscape of small houses. On the exterior wall, wainscot panels are applied with spaces in between, and it expresses a warm and friendly face to the street of the land to the north. The street in front of the building actually extends into the interior, and is given the name "Michi-no-Hiroba (plaza for the street)", around which a children's playroom, cooking studio and tatami room are arranged.□

2 西立面/West Elevation

3 東立面/East Elevation

4外景/Exterior views

5 外景/Exterior views

項(xiàng)目信息/Credits and Data

主要功能/Principal Program: 社區(qū)中心/Community Centre客戶/Client: 十和田市/Towada City

結(jié)構(gòu)設(shè)計(jì)/Structure Engineering: 佐藤淳構(gòu)造設(shè)計(jì)事務(wù)所/Jun Sato Structural Engineers

織物設(shè)計(jì)/Textile Design: 隈研吾建筑都市設(shè)計(jì)事務(wù)所，安東陽子設(shè)計(jì)/Kengo Kuma and Associates, Youko Ando Design

基地面積/Site Area: 5774.16m2

占地面積/Building Area: 1875.37m2

建筑面積/Floor Area: 1846.97m2

設(shè)計(jì)時(shí)間/Design Period: 2012.01-2013.02

施工時(shí)間/Construction Period: 2013.07-2014.10

攝影/Photos: 長谷川健太/Kenta Hasegawa

6 平面/Plan

7 內(nèi)景/Interior views

8 內(nèi)景/Interior views

9 內(nèi)景/Interior views

10 內(nèi)景/Interior views

11剖面/Sections

12 剖面/Sections

13 內(nèi)景/Interior views

評論

何可人：親切而樸實(shí)無華的市民場所，和周圍的環(huán)境和諧共處，甚至連項(xiàng)目說明都跟建筑本身一樣簡潔沒有任何修飾之處。唯一可說的便是入口將室外的場地材料引入室內(nèi)，內(nèi)部不規(guī)則的房間形成具有動態(tài)的入口大廳和大小不同的公共空間。隈研吾這種“消失”的建筑概念，以及“同一屋頂下”的設(shè)計(jì)策略幾乎是放之四海而皆準(zhǔn)，似乎適用于各種情境。這也符合全球經(jīng)濟(jì)迅猛發(fā)展之后，人們對于環(huán)境的關(guān)注，從而思考建筑是否應(yīng)該轉(zhuǎn)向低調(diào)的“消隱”。西方人會認(rèn)為這樣的策略更加“東方化”，這也正是隈研吾的成功之處。而中國當(dāng)代的“東方化”策略應(yīng)當(dāng)如何？官方和民間是否還處在后現(xiàn)代的“矯情”之中？我們是否也到了該認(rèn)真討論的時(shí)候？王昀：一系列擁有地域性形態(tài)特征的折板下方，覆蓋著街道空間和市民會館的室內(nèi)部分。在“整體”與“部分”的相互切換中，造成一種曖昧的空間感受。室外是室內(nèi)的“反轉(zhuǎn)”的同時(shí)，室內(nèi)房間中的等高線地形又讓人感覺如同室外的狀態(tài)，這一切是這個(gè)設(shè)計(jì)的匠心所在。延續(xù)著“曖昧”的主題，進(jìn)一步將主入口的概念模糊處理，便于市民從四面八方的聚集。

Comments

HE Keren: A very intimate and austere civic place creates great harmony with the surroundings.Even its project description is as simple as the building itself, no unnecessary renderings. The only mentioning here is that the entrance introduces the outdoor paving into the interior, and helps to shape the various-sized, irregular public rooms and the dynamic lobby space. Kengo Kuma's concept of"disappearing" architecture, and his design strategy of "under one roof" seems being able to apply to anywhere, anytime, in any circumstances. This matches the global reflection on architecture and environment after the rapid economic growth. Should architecture be disappearing? Kuma's success relies on his "oriental" approach in the eyes of the westerns.While what would be Chinese architects' approaches in terms of "orientalisation"? When in China the official and secular tastes in architecture still linger among the post-modernist "kitsch", is it time now to give it a serious consideration?

WANG Yun: Below the folded plates that have regional morphological features are street spaces and the indoor space of Towada Civic Center Plaza. The switches between the "whole" and "part" result in an ambiguous space perception. The outdoor space is the"reverse" of the indoor space, at the same time, the indoor contour terrain makes people feel like staying out of doors, all of which are the ingenuity of the design. Continuing the theme of "ambiguity", the main entrance is further obscured to facilitate the public coming from everywhere to gather together.

14 內(nèi)景/Interior views

15內(nèi)景/Interior views

16 內(nèi)景/Interior views