總體規(guī)劃與環(huán)境設(shè)計：孟巖，劉曉都/URBANUS都市實踐

華僑城創(chuàng)意文化園改造，深圳，中國

總體規(guī)劃與環(huán)境設(shè)計：孟巖，劉曉都/URBANUS都市實踐

1 創(chuàng)意文化園北區(qū)/OCT-LOFT North Area

基地現(xiàn)存數(shù)10座建于1980年代早期的廠房、倉庫和宿舍樓。2003年，其中一個廠房改造為當代藝術(shù)中心，成為開發(fā)的啟動點。都市實踐采用了置換與填充的規(guī)劃思路，梳理廠區(qū)內(nèi)可利用的結(jié)構(gòu)，一步步添加改造，或延伸、或包裹、或滲入現(xiàn)有肌理，創(chuàng)造了一層新的相貫通的公共空間和設(shè)施。廠房被畫廊、書店、咖啡廳、酒吧、藝術(shù)家工作室和設(shè)計商店漸漸填滿。一期改造中，都市實踐總體控制與使用者個性發(fā)揮的互動十分符合創(chuàng)意產(chǎn)業(yè)和廠房改造的特點。第二期在改造策略上整體控制形象，業(yè)態(tài)合理規(guī)劃，控制比例，加入新二層連廊系統(tǒng)，將公共功能進行混合和疊加，連廊系統(tǒng)設(shè)計成創(chuàng)意交流的空間和場所，鼓勵跨領(lǐng)域、跨行業(yè)的對話和思想碰撞，成為凝聚藝術(shù)和設(shè)計創(chuàng)造力的基地?！?/p>

Over dozens of early factories, dormitories and storages left vacant from the 1980s are kept on the site of OCT. Hexiangning Art Museum's decision of setting up a non-proft contemporary art center in one of these warehouses in 2003 became the starting point of the regeneration of this industrial site. URBANUS intends to substitute and fill up these existing industrial buildings with new programs. Combining with existing structure, a new layer of linked public spaces and facilities are created by architectural approaches such as addition, extension, wrapping and penetration. The factories are gradually uesed for galleries, bookshops, cafes, bars, artist ateliers and design shops. In the first phase, URBANUS controls the overall design scheme while allowing users' creation displaced; such approach adapts with the characteristic of creative industry and factory regeneration, encouraging interaction between the planning team and the users. Repositing the overall branding image, planning retail format and control the ratio of each typology became the main strategy for the second phase of renovation. A second level corridor system became creative space for exchange and communication which mixed and superimposed public programs together. It encourages interdisciplinary dialogues and thoughts exchange to take place, making the site a base for creative art and design.□

項目信息/Credits and Data

業(yè)主/Client: 深圳華僑城房地產(chǎn)有限公司/Shenzhen OCT Properties Co., Ltd.

地點/Location: 深圳市南山區(qū)華僑城東部工業(yè)區(qū)/Oversea Chinese Town (OCT), Nanshan District, Shenzhen

設(shè)計時間/Design Period: 2003-2011

建成時間/Completion Time: 2012

規(guī)模/Size: 南區(qū)用地/South Area: 55,465m2，建筑面積/ Building Area: 59,000m2

北區(qū)用地/North Area: 95,571m2，建筑面積/Building Area: 150,000m2

攝影/Photos：吳其偉，陳舊，孟巖/WU Qiwei, CHEN Jiu, MENG Yan

2 總平面/Site plan

3 軸測圖/Axonometric drawing

4 E6入口/E6 entrance

5 南區(qū)主入口大門/South main entrance

評委評語

華僑城創(chuàng)意文化園改造項目多年來已成為深圳的文化地標，以深圳雙年展為契機，帶動城市工業(yè)區(qū)的更新。建筑設(shè)計是一種有限的介入，作為一個城市設(shè)計和城市更新的代表案例，項目不僅僅創(chuàng)造了建筑改造的設(shè)計方案，更提供了一種策略，激發(fā)了一個自我生長和開放兼容的良性機制，使得更新成為持續(xù)的過程，具有深遠的示范意義。評委會一致認為項目體現(xiàn)了一種綜合的質(zhì)量，既符合實用、經(jīng)濟、綠色、美觀的新時期的建筑方針，也非常貼合獎項的評審標準?！?/p>

Jury Statement

OCT-LOFT has become a cultural landmark in Shenzhen over the past years, with the Shenzhen Biennale as an opportunity for urban industrial district renewal. Architectural design is a gentle intervention.The park is the perfect example for urban design and renewal that not only promotes building renovation but also provides a strategy to stimulate the benign mechanisms of self-growth and opening up. This has far-reaching significance. The jury agrees that the project demonstrates a comprehensive quality in line with the requirements of a new era for practical, efficient, and environmental ("green") design, and moreover, perfectly fts the evaluation criteria of the award.□

OCT-LOFT Renovation, Shenzhen, China, 2012

Master Plan and Landscape Design: MENG Yan, LIU Xiaodu/URBANUS

6 OCT當代藝術(shù)中心首層平面/OCAT foor 0 plan

7 OCT當代藝術(shù)中心剖面/OCAT section

8 OCT當代藝術(shù)中心/OCAT

9 OCT當代藝術(shù)中心內(nèi)景/OCAT interior view

10 A3連廊/A3 passage

11 A3連廊二層平面/A3 passage foor 1 plan

12 A3連廊內(nèi)側(cè)立面/A3 passage elevation

13 A3連廊/A3 passage

14 公共平臺/Public platform

16 公共平臺剖面/Public platform section

17 公共平臺/Public platform

18 旋轉(zhuǎn)連廊/Spiral passage

19.20 公共平臺/Public platform