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        MAIN CONTENTS

        2017-01-28 22:07:31
        人民音樂 2017年11期

        MAIN CONTENTS

        On Professor Li Xi’an’s Poems and Faraway Wish Places Xie Jiaxing(4)

        Embracing the New Era and Undertaking the New Mission:China Musicians Association Presidium’s Study and Discussion of the Report of the 19thNational Congress of the Communist Party of China(10)

        Express for the People and Sing for the Era:A Report of the Music Development of China in the Past Five Years Han Xin’an(12)

        My Reflections and Practices of the Instrumentalist Placements on Stage for Western Orchestras With Also My Thoughts of the Relevant Arrangement for Chinese Orchestras Wang Ning(15)

        A Study of Professor Xiao Jiangsheng’s Teaching Conceptions Tan Longjian(17)

        A Critical Analysis of“The Dragon’s Singing&the Chinese Charms”Concert for Master Sheng Lihong’s Works Wang Ruiwen(23)

        A Review of“The Dragon’s Singing&the Chinese Charms”Concert for Professor Wang Ning’s Works Shi Yibing(26)

        A Review of Chasing the Chinese Dream for Erhu and the OrchestraWan Bo&Shi Yue(29)

        The Music Giant of China:Zhu Jian’erLu Zaiyi(33)

        The Purification and Sublimation of the“Dream”:My Deep Mourning of Zhu Jian’erWang Anguo(39)

        Son of the Era:My Homage to Mr.Zhu Jian’er Yang Yandi(42)

        Modern Music Also Calls for Brilliant Conductors and Excellent Symphony Orchestras:Written for the Opening and Closing Ceremony Concerts of 2017 Beijing Modern Music Festival Xiang Xiaogang(46)

        An Analysis of the Opening Ceremony Concert The Chinese Story·Dunhuang at the 34thShanghai Spring International Music FestivalYu Yang(48)

        On the Overseas Distribution of Anda Union’s Grassland MusicShi Yong&Wang Yixiang(53)

        A Review of Mezzo-Soprano Liang Ning’s Solo Recital Gao Fuxiao(58)

        A Study of the Innovation of China’s Electronic Music From the Perspective of Professor Zhang Xiaofu’s Multimedia Symphonic Music:A Review of The Tibet Religious Flags at The Sacred and Pure Land Concert Guan Liqiong(60)

        A Study of the Enlightenment of Earlier Musical Conceptions on the Research and Teaching of Western Music History Jia Shubing(62)

        A Modest Investigation of the Teachings of the Multidimensional Contraposition RhythmQu Yi(67)

        A Modest Discussion of the Regulation and Development of Traditional Chinese Instrument Nazi Playing Art Shan Zhenyue(70)

        An Retrospection and Re-Discovery of the Folk Artist Sun Wenming’s Erhu Art:An Essay on the Unique Playing Expertise of Double Erhu in BrightnessRu Yi(73)

        A Study of Theodor Adorno’s Criticism of Stravinsky’s WorksZhang Jingjing(76)

        A Critical Analysis of the Piano Suite A Chinese Boy in ParisXing Yuanyuan(80)

        An Investigation of the Contemporary Development of Chinese Music TherapyZhang Yong(82)

        My Views on the Chinese Jazz Music Inspired by Luo Ning Latin Jazz ConcertGuo Peng(88)

        On the Innovation and Distribution of Traditional Chinese Percussion Music:My Thoughts on Drum Life Up:70 Years of Master An Zhishun’s Percussionist Art Li Xiao&Gu Yumei(91)

        A Review of Joseph Jordania’s Book Why Do People Sing?Music in Human EvolutionLu Jufang(94)

        (Translated by Cheng Guichao)

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