日本豐島

豐島橫尾館

日本豐島

Teshima Yokoo House

建成時間：2013年

攝影: Daici Ano, Nobutada Omote

豐島橫尾館位于日本瀨戶內(nèi)海一個古老的港口小鎮(zhèn)豐島。它作為一座美術館坐落在這樣一個古老的社區(qū)，附近居民大多是年邁的老人。

該項目由國際知名藝術家橫尾忠則設計完成，同時也屬于福武基金會支持的直島系列藝術作品。美術館在2013年夏季隨著2013瀨戶內(nèi)國際藝術節(jié)開幕而啟用。美術館由三間老式日式單層住宅組成，建筑師隨后對其進行了翻新、加建，并改變了建筑用途。

美術館希望通過這座建筑展示藝術家橫尾忠則的作品。為了實現(xiàn)這一目標，建筑師首先考慮從幾何角度上拉近二維和三維概念的距離。正如橫尾忠則創(chuàng)作的拼貼畫一樣，內(nèi)部各種各樣的場景和體驗通過屏幕效果、參觀者的移動和自然光線等因素的放大和拼貼而被賦予了象征意義。在這里，參觀者絕不會看到一模一樣的場景。這背后的真正含義是，人類永遠無法回避一個永恒的主題，即“生與死”，這一點貫穿于藝術家的作品中?！柏S島橫尾館”將成為一個集合體，不斷在社區(qū)中變換角色，循環(huán)往復。

另外，非常重要的一點是：通過美術館，為常年居住在豐島的老年人重新注入年輕的活力。這是業(yè)主的強烈要求。為了使居民們參與到項目的過程中，建筑師創(chuàng)造機會讓老人們了解美術館的作用以及美術館將如何融入并影響他們的生活。比如在這里舉辦年糕制作節(jié)，并透過紅色玻璃展示制作工藝。實際上，建筑師已經(jīng)完成了用碎瓷片鋪設花園池塘底的工程。正如美術館主題所示，這個地方要能夠真正舉辦葬禮。建筑師希望這里能夠成為當?shù)厝说募⒅行?，賦予他們新生的活力，并輻射其他地區(qū)。

Located in Teshima, an old port town lying in Seto Inland Sea, “Teshima Yokoo House” sits as an art museum in such an old community as most of the people are the elderly.

This is the project by Tadanori Yokoo, an internationally renowned figure in art, as well as being a series of art projects that kicked in with the one in Naoshima, backed by FukutakeFoundation. This art museum opened in the summer of 2013, align with the start of Setouchi Triennnale 2013. It is originally composed of three of one-storey Japanese old houses .we repurposed, renovated and partly made extension.

The museum aims at identifying his works with the architecture itself. To achieve this, we first contemplated on how we can make close to these two ideas, two dimensions and three dimensions in a geometrical sense. Like his collage works, various scenes and experiences inside are figuratively amplified and collaged by each of screens effects, motion of visitors and natural daylights. Never will you encounter the exact same scene. Behind the purpose, true meaning underlies that we humans can’t avoid lifelong theme , “Life and death ” , as he insists through his works. “Teshima Yokoo house ” will be the aggregate that is constantly changing itself and circulating in the community.

Secondly, it is also important that this place plays a role in invigorating the elderly people who long lives in Teshima. This is a strong request from our client. To share the process and experience with them, we were making opportunity to let them know what this museum is for, and how this place will be side with their lives. For example, we held rice cake making festival, and showing construction process over the red glass. We actually had done making crushed tile with them to cover the bottom of the pond in the garden. As the theme of the museum says, this place literally is able to hold funeral. We hope this is going to be a hub for the locals, giving birth full of energy to them, and spreading as much.