2014年蛇形畫廊，倫敦，英國(guó)

建筑設(shè)計(jì)：斯米連·拉迪奇建筑工作室

Architects: Smiljan Radi? Studio

2014年的蛇形畫廊延續(xù)了從16世紀(jì)末一直風(fēng)靡到19世紀(jì)初的公園或大花園中浪漫小品建筑的傳統(tǒng)。

一般來(lái)看，小品呈現(xiàn)的是一種遺址或飽經(jīng)風(fēng)霜的狀態(tài)，表現(xiàn)出一種超凡脫俗而又充滿驚奇的古代形式。這些人工特征將建筑的時(shí)間和實(shí)體約束化解于自然環(huán)境中。2014年的畫廊吸收了這些要素，并將其用于當(dāng)代建筑語(yǔ)匯中。

畫廊不同尋常的造型和感觀特征給游客帶來(lái)了強(qiáng)烈的沖擊，這一點(diǎn)在蛇形畫廊與古典建筑并峙時(shí)尤為明顯。游客從室外可以看到一個(gè)脆弱的箍形外殼懸掛在大塊原石上。這些石塊仿佛自古就是景觀的一部分，它們作為支撐賦予了畫廊厚重的質(zhì)感以及輕巧脆弱的結(jié)構(gòu)形象。外殼由玻璃纖維制成，呈半透明的白色。室內(nèi)在地面層圍繞空曠的中庭進(jìn)行組織，營(yíng)造出一種整體漂浮的感覺。這種既閉合又開放的結(jié)構(gòu)體塊探討了周圍的肯辛頓花園與畫廊室內(nèi)的關(guān)系。樓面采用灰木板，使室內(nèi)猶如一個(gè)露臺(tái)而不是遮蔽的空間。

夜幕降臨時(shí)，半透明的外殼與柔和的琥珀光就像燈火招引昆蟲一樣吸引著路人?！酰ㄉ袝x 譯）

項(xiàng)目信息/Credits and Data

主持建筑師/Principal Architect: Smiljan Radi?

設(shè)計(jì)團(tuán)隊(duì)/Architectural Team: 項(xiàng)目助理/Architect project assistant: Yuji Harada； 助理建筑師/Assistants: Claudio Torres，Gabriela Medrano； 渲染/Renders: Emile Straub，Andrés Battle

項(xiàng)目負(fù)責(zé)人/Project Directors: Julia Peyton-Jones，Hans Ulrich Obrist，Serpentine Galleries

項(xiàng)目主管/Project Leaders: Julie Burnell，Cara Chernanko，Serpentine Galleries

項(xiàng)目設(shè)計(jì)/Project Curators: Jochen Volz，Emma Enderby，Serpentine Galleries

工程、技術(shù)、造價(jià)管理/Engineering，Technical Design and Cost Management: David Glover，Thomas Webster，Jack Wilshaw，Katja Leszczynska，Brian Graham（AECOM）

施工/Construction: Ted Featonby，Mick Mead（Stage One Creative Services Ltd.）

顧問/Consultants: Barnaby Collins，Katie Smith（DP9）

結(jié)構(gòu)與材料/Structure and Materials: 主體結(jié)構(gòu)/Main structure: 結(jié)構(gòu)鋼與木填充構(gòu)成樓板/Structural steel with timber infll to form foor； 屋頂與墻體/Roof and walls: 玻

璃加固的塑料外殼覆蓋面積/Glass reinforced plastic shell covering: 480m2； 樓面/Floor: 由主體鋼結(jié)構(gòu)間的木托梁支撐的木面板/Timber decking supported on timber joists spanning between primary steel structure； 畫廊下的地面層面積/Floor on ground level beneath pavilion: 300m2（草皮/ Turf）

圍欄/Barriers: 不銹鋼板/Stainless steel bar（45mm × 20mm）扶手/Handrail: 不銹鋼管/Stainless steel pipe（直徑/ Diameter: 40mm）

總基地面積/Overall Site Area: 541m2

總室內(nèi)面積/Gross Internal Area: 170m2

尺寸/Dimensions: 建筑最寬處/At the building's widest point: 20m； 從原地面到建筑最高點(diǎn)/At the building's highest point from existing ground: 6m； 室內(nèi)面積/Internal area: 160m2； 基底面積/Building footprint: 350m2； 室內(nèi)最高天花板高度/Max ceiling height internally: 3.90m； 室內(nèi)最低天花板高度/Min ceiling height internally: 2.68m

開放時(shí)間/Public Opening Dates: 2014.06-2014.10

攝影/Photos: Iwan Baan（fig.1，2），John Offenbach（fig.5），Jim Stephenson（fg.7）

1 外景/Exterior view

2 夜景/Night view

3.4 草圖/Sketches

The Serpentine Pavilion 2014 continues a history of small romantic constructions seen in parks or large gardens，the so-called follies that were popular from the late sixteenth century to the beginning of the nineteenth century.

In general，follies appear as ruins or have been worn away by time，displaying an extravagant，surprising and often archaic form.These characteristic sartificially dissolve the temporal and physical limits of the constructions into their natural surroundings.The 2014 Pavilion takes these principals and applies them using a contemporary architectural language.

The unusual shape and sensual qualities of the Pavilion have a strong physical impact on the visitor，especially juxtaposed with the classical architecture of the Serpentine Gallery.From the outside，visitors see a fragile shell in the shape of a hoop suspended on large quarry stones.Appearing as if they had always been part of the landscape，these stones are used as supports，giving the Pavilion both a physical weight and an outer structure characterizsed by lightness and fragility.The shell，which is white，translucent and made of fibre glass，contains an interior that is organizsed around an empty patio at ground level，creating the sensation that the entire volume isfloating.The simultaneously enclosed and open volumes of the structure explore the relationships between the surrounding Kensington Gardens and the interior of the Pavilion.The foor is grey wooden decking，as if the interiorwere a terrace rather than a protected interior space.

At night，the semi-transparency of the shell，together with a soft amber-tinted light，draws the attention of passers-by like lamps attracting moths.□

Serpentine Pavilion 2014，London，UK，2014

5 外景/Exterior view

6 總平面/Site plan

7 內(nèi)景/Interior view

8 展館場(chǎng)景/Pavilion scenariosA-153人音樂會(huì)/Music for 153 peopleB-150人講座/放映/Lecture/Screening for 150C-80人咖啡廳/Coffee for 80D-120人用餐/Dinner for 120E-160人表演/Performance for 160