建筑設(shè)計：永山祐子/永山祐子建筑事務(wù)所

木屋旅館，宇和島，愛媛，日本

建筑設(shè)計：永山祐子/永山祐子建筑事務(wù)所

1 夜景/Night view

2 區(qū)位/Location

木屋旅館是一家創(chuàng)建于1911年的舊式旅館，位于日本愛媛縣宇和島市，我們對其進行了改造。

這次，我們打算把它改造為一種每日一客的新式停留型旅館。在接手這個項目的時候我們發(fā)現(xiàn)，這里具有舊式旅館特有的在漫長歲月中積淀故事的屬性。于是，我們打算不在這里重新建造或者補充什么，而是在現(xiàn)有建筑中挖掘既存故事的嶄新一面，那才是新的木屋旅館的價值所在吧。

因此，我們在原來的水平空間中增加了垂直方向上的空間層次。

在二層地面上，我們用透明亞克力地板替換了原先的榻榻米，然后打通上方的天花板露出原來的屋頂骨架。于是這個舊式旅館的剖面最高處達到8m，給人們提供了全新的視角：白天會有來自二層的光線通過這個中庭落入一層。我們還把浴室中的舊瓷磚保留出一條線的形狀，其余全都涂成黑色。這種小心翼翼地從已經(jīng)存在的事物中抽取一部分信息的做法，營造了與眾不同的視覺效果。到了晚上，立面上的光仿佛從行燈（一種日本傳統(tǒng)的紙糊燈）中透過一樣，忽明忽暗，色彩變幻。木屋旅館因此向街道不斷改變著它的表情，這成為對整座宇和島的回應(yīng)方式?！酰ㄐ翂衄?譯）

項目信息/Credits and Data

客戶/Client: Kisaiya Uwajima

用途/Use: 日本傳統(tǒng)旅館/Japanese style hotel

建筑面積/Floor Area: 559m2

設(shè)計時間/Design Period : 2011.04 - 2011.12

建造時間/Construction Period: 2011.04 - 2012.03

攝影/Photos: Nobutada Omote

3 夜景/Night view

4 局部立面/Partial elevation

5 剖面/Section

6 首層平面/Ground floor plan

This is the project to renovate an old "Kiya Ryokan", a staying hotel founded in 1911 in Uwajima, Ehime.

This time, we adapted it to the new system: a staying place in the style of one group of guest per day. In taking on this project, it became clear that it had already accumulated stories rooted in its long history. Therefore, we aim to discover new "Kiya Ryokan" by casting a light on what is already there and exploring a new aspect of the story by extracting the current conditions, not by adding anything further.

Thus, we created vertical perspective in the interior space, which was originally dominated by horizontal perspective.

For the floors on the second level, we replaced tatami with pellucid acrylic resin base, and removed a ceiling to expose the wooden frame of the old roof. An 8-meter tall cross section provides people with new perspective. In the daytime, sunlight penetrates through an atrium from second-story windows to the first floor. We painted all the tiles of the old bathroom in ink black except for the ones left in a line. This approach, carefully extracting parts of information from what is already there, creates a different perspective. At night, light through the fa?ade changes its strength or color like an "andon" (a Japanese traditional lamp with a paper shade). "Kiya Ryokan" is constantly showing various faces to the town, which becomes a response to the whole Uwajima. □

7 二層平面/Floor 1 plan

8 內(nèi)景/Interior view

9.10 內(nèi)景/Interior view

評論

丁力揚：永山祐子是一位值得關(guān)注的典型的跨界日本女性青年建筑師。她的設(shè)計并不是從某種預先設(shè)定的風格出發(fā)，而是將一些帶有普遍意義的自然元素作為設(shè)計的基礎(chǔ)，比如“光”“重力”和“時間”。在這個小型旅館的改造設(shè)計中，永山祐子感興趣的是借助光使現(xiàn)有空間在垂直方向上得以重生。她的設(shè)計并沒有對建筑外部形象和其他室內(nèi)區(qū)域作過多干預，而是通過重新處理人的活動與建筑內(nèi)部局部界面的關(guān)系，來影響人在旅館中的居住方式。在一系列不大的動作中，光（包括自然和人工）起到了關(guān)鍵的作用。我們可以看到，除了永山祐子，日本年輕一代建筑師中還有其他人的設(shè)計思路，也是來自于具有某種普遍性的自然界基本元素。比如石上純也——他的相似類比更為具體——他會用包括森林、云、雨、地平線等自然對象來進行建筑和裝置藝術(shù)設(shè)計。這種設(shè)計思路可以稱得上是對“另一種全新建筑舒適度”的探索，因為在這些日本青年建筑師的觀念里，人工環(huán)境和自然環(huán)境之間本就不存在必然的界限。

張弘：該酒店改造項目很好地保留了原有建筑延續(xù)百年的場所精神和整體風貌，對美的敏感、對分寸的把握以及對技術(shù)的克制成為該項目成功的3個關(guān)鍵因素。建筑師通過二層通透的玻璃地板設(shè)置，對原公共空間的水平屬性進行了很好的豎向轉(zhuǎn)置，由此改善了大廳及走廊的自然采光，并使傳統(tǒng)建筑結(jié)構(gòu)體系得以完美呈現(xiàn)。該項目在建筑策略方面的小動作卻帶來了空間體驗的大改變，很好地詮釋了建筑師的智慧。

Comments

DING Liyang: Yuko Nagayma is a typical crossover Japanese woman architect who deserves particular attentions. Her design approach is based on such natural elements of universal significance as "light", "gravity" and "time", rather than any predetermined architectural style. She aims to portrait a universal yet innovative discovery. In this renovation project, she is concerned with reviving the small hotel's existing core space through the introduction of vertical light. Instead of lavishing effort on the external appearance, she tries to influence the living pattern of the hotel tenants by dealing with the relationship between human activities and architectural interfaces. Among a series of delicate treatments, light, both artificial and natural, plays a crucial role. Indeed, Yuko Nagayma is just one of a group of young Japanese architects whose design thinking originates from universal natural elements. For instance, Junya Ishigami uses more concrete analogies – forest, cloud, rain, horizon, etc. Their approach can be regarded as "an alternative path towards a new architectural comfort", for in their mind, there is no absolute and clear boundary between artificial and natural environment in the first place.

ZHANG Hong: The hotel renovation project well preserves the historical quality of the site and the overall style of the original building; its ultimate success consists in three key factors: sensibility to beauty, mastery of proportion, and restrained use of technology. By means of a transparent glass floor, the architect skillfully transformed the original horizontal space into a vertical one, thus largely improving natural lighting in the hall and corridors and fully exhibiting the traditional structural system. Small interventions in the design strategies can bring about significant changes in spatial experience – a testament to the wisdom of its architects.

Kiya Ryokan, Uwajima, Ehime, Japan, 2012

Architects: Yuko Nagayama/Yuko Nagayama & Associates

11.12 內(nèi)景/Interior view

13 浴室/Bath room