建筑設(shè)計(jì)：托德·桑德斯/桑德斯建筑事務(wù)所

長屋工作室，福戈島，紐芬蘭，加拿大

建筑設(shè)計(jì)：托德·桑德斯/桑德斯建筑事務(wù)所

1 外景/Exterior view

該工作室位于加拿大紐芬蘭福戈島，于2010年竣工，是福戈島藝術(shù)公司在此地開發(fā)的6個(gè)工作室項(xiàng)目中最早得以實(shí)施的，也是最大的一個(gè)。桑德斯的建筑以簡約有力的幾何造型取勝，這一工作室也不例外，其狹長的菱形軀干兀立在粗獷碩大的巖石上，直面海天遼闊?？此茻︽萘⒌耐庑螌?shí)則根植于當(dāng)?shù)貍鹘y(tǒng)建筑和漁舍，對(duì)彰顯該地區(qū)的建筑文化起著關(guān)鍵作用。

工作室的建造以本地盛產(chǎn)的云杉木為主，外表粗黑，內(nèi)里細(xì)白，對(duì)比鮮明，相得益彰。整棟建筑由密實(shí)緊湊的混凝土地基錨固在巖石上，巋然不動(dòng)。縱長的布局將室內(nèi)外功能納于一體，面向內(nèi)陸的一端有半開敞的露臺(tái)，另一端則做成取景框，云海蒼茫盡收眼底。此舉既能改善室內(nèi)自然采光，又成為素靜的內(nèi)部空間與豪放的外部環(huán)境之間的聯(lián)系紐帶。天窗的設(shè)置可以讓藝術(shù)家更自由地使用墻面和地面空間。

平面布局考慮了不同季節(jié)的需求。露臺(tái)和中庭是春夏活動(dòng)的宜人場所，而封閉的內(nèi)核則為秋冬兩季的活動(dòng)提供了庇護(hù)。工作室內(nèi)部有機(jī)械、供水和存儲(chǔ)設(shè)備，保證廚房、衛(wèi)浴、起居及工作空間正常運(yùn)轉(zhuǎn)，充分實(shí)現(xiàn)自給自足?！酰▌⒊浚?/p>

2 區(qū)位/Location

3 外景/Exterior view

4 外景/Exterior view

Long Studio, located to the north of the Joe Batt's Arm community in adjacent to the Fogo Island Inn, was one of the largest and also the first to open officially among the six studios commissioned from Todd Saunders by the Forgo Island Arts Corporation. Stretching prominently on the rocky shore, its tubeshaped body plays a critical role in enhancing the architectural identity of the island by drawing on local fishermen's dwellings and traditional buildings. Such geometrically simple yet visually powerful creation is representative of Saunders' architecture and bears a distinctive meaning to the Fogo Island project.

The main construction material is native wood, with rough-sawn spruce and spruce planks used on the exterior and the interior respectively, while the whole structure is anchored at its western end by a concrete foundation. The building accommodates both external and internal functions in its overall longitudinal disposition, terminating on the land side by a protected terrace. On the opposite side is a full-length glass window with a commanding view of the North Atlantic Ocean. In addition to ameliorating natural illumination, this smart device of framed view also creates a liaison between the clean, bright ambience of the interior and the aweinspiring presence of nature. Other openings such as carefully placed skylights help to save abundant wall and floor space for the inhabitant to use.

Seasonal factors are given full consideration in the spatial layout. The covered front porch and the open central courtyard are to be enjoyed in spring and summer, respectively, while the structure's enclosed main body provides both comfort and protection in autumn and winter. Facilities such as kitchen, lounge and bathroom, as well as workspace for art activities are all supplied internally. The studio is completely self-sufficient thanks to its use of Solar panel power and effective treatment of waste, grey water and rainwater. □ (Text by LIU Chen)

5.6 平臺(tái)/Terrace

7 平面/Floor plan

8 剖面/Section

項(xiàng)目信息/Credits and Data

客戶/Client: The Shorefast Foundation

項(xiàng)目團(tuán)隊(duì)/Project Team: Todd Saunders, Attila Béres, Ryan Jorgensen, Ken Beheim-Schwarzbach, Nick Herder, Rubén Sáez Lópes, Soizic Bernard, Colin Hertberger, Christina Mayer, Olivier Bourgeois, P?l Storsveen, Zdenek Dohnalek建筑配合/Associate Architect: Sheppard Case Architects Inc. (Long Studio)

建筑面積/Floor Area: 130m2

設(shè)計(jì)與建造時(shí)間/Design and Building Period: 2007 - 2011攝影/Photos: Bent René Synnevaag

9 夜景/Night view

評(píng)論

郝琳：孤寂的安逸

托德·桑德斯在福戈島上的系列設(shè)計(jì)，我認(rèn)為是屬于大地藝術(shù)的創(chuàng)作。也因?yàn)轫?xiàng)目細(xì)小，故以極為現(xiàn)代和抽象的姿態(tài)，反倒可以凸顯藝術(shù)在地的獨(dú)立品性，卻無礙周遭的環(huán)境。 當(dāng)然，處理上也絕不是放個(gè)盒子那么簡單——竅門在于，梯形的裁剪加大了南向的朝向和視野；輔助的功用緩沖性地集中在較為背陰的北面；黑白的設(shè)計(jì)，既于外部融入于地景，表白了與自然的對(duì)話，也于內(nèi)部使空間顯得更大。至于兩個(gè)三角，確實(shí)點(diǎn)睛妙筆，一下子打通了室內(nèi)外的連續(xù)性，也在不同的季節(jié)里，找到孤寂卻也舒適安逸的棲息。也許，面對(duì)自然的建筑物，越小越簡單，反倒是擁有越大的世界。

蔣培銘：建筑師在風(fēng)光旖旎的小島能夠設(shè)計(jì)一座建筑，就很快樂了，何況建筑師在小島設(shè)計(jì)了7座建筑（已建成4座），何止快樂?。￠L屋工作室是7座建筑之一，建筑純凈單一的造型、空間、材料、色彩，卻塑造了趣味無窮的意境，令人想起密斯的“少就是多”。建筑匍匐大地、面向大海的造型，巧妙地與自然融為一體，仿佛是建筑師崇尚、依戀自然的真情表白。

Comments

HAO Lin: A comfort of solitude

Todd Saunders's design series on the Fogo Island, as I see, is art to celebrate the nature. Given the small size of the project, a distinctive character is made prominent on site through the impressively modern and abstract manner, while its surroundings are left intact. However, it is by no means a simple treatment of a box; the best of the design consists in several parts: the trapezoidal cut expands southward views, while auxiliary spaces are concentrated on the north side as a buffer; black-and-white design not only blends well with the outside natural landscape, but also makes the interior appear larger. The design is finally summarized by the two triangles, which enhance a continuity between the exterior and the interior, and provide a solitary and seclusive yet comfortable shelter in changing seasons. Paradoxically, in the nature, perhaps the less and smaller the man-made, the grander world it may embrace.

JIANG Peiming: The architect would have contented himself with designing just one building on this charming little island, let along 7 buildings (there are 4 studios built) ! Being one of them, the Long Studio features pure and simple form, space, materials and colors, which however create an atmosphere of infinite delight that calls to mind the famous Mies quote "Less is more". Crawling on the ground and facing the sea, it dexterously fuses with nature – a true confession of the architect's admiration and affection for nature.

Long Studio, Fogo Island, Newfoundland, Canada, 2010

Architects: Todd Saunders/Saunders Architecture

10-12 內(nèi)景/Interior view

13 細(xì)部/Detail