主持建筑師：魏春雨

張家界博物館，張家界，湖南，中國(guó)

主持建筑師：魏春雨

地景分形

該項(xiàng)目為張家界市博物館、城市規(guī)劃館、文化局辦公3部分構(gòu)成。地處張清公路東側(cè)，面對(duì)濕地河流，周邊山巒疊嶂。

博物館的設(shè)計(jì)源于對(duì)張家界鬼斧神工奇異山景的當(dāng)代“分形”。分形原形體現(xiàn)了人居與山形的雙重譯碼（見(jiàn)分析圖）。而其組合關(guān)系又依循了自然山巒的地景仿生與大湘西地區(qū)傳統(tǒng)民居聚落吊腳屋的形態(tài)，將這種雙重分形基因同時(shí)植入平面及形體生成，使平面與立面產(chǎn)生了一種奇妙自然的拓?fù)滢D(zhuǎn)換，同時(shí)在景觀廣場(chǎng)設(shè)計(jì)中，大量使用“微地形”處理，尋找地景與建筑立體的邏輯性生成，順勢(shì)而為。這樣，以序列化分形、起伏跌宕、蜿蜒逶迤，形成“充巒疊嶂”之景象。

The project is composed of three parts: the Zhangjiajie Museum, the Urban Planning Exhibition Hall, and the Bureau of Culture. It is located on the east side of the Zhangqing Highway, surrounded by mountains and facing wetlands and rivers.

The museum design originates from a contemporary "fractal" approach to the uncanny beauty of Zhangjiajie mountain scenery. The fractal prototype embodies the double codes of human settlements and mountain forms (see the diagram). Its compositional relationship follows both landscape bionic of natural mountains and the stilted houses in traditional settlements of the greater west Hunan region; meanwhile, the double fractal elements are embedded in the formation of building plan and form, creating a fantastic, natural topological shift between plan and elevation. The design of the landscape plaza uses "micro-topography" extensively, seeking logical formation of both landscape and buildings in an adaptive manner. This way a spectacle of "overlapping mountain with rising peaks and winding ranges" is created through the serializing fractal approach.

項(xiàng)目信息/Credits and Data

設(shè)計(jì)機(jī)構(gòu)/Design Institute：魏春雨地方工作室/WCY Regional Studio

建筑面積/Floor Area: 13,442m2

設(shè)計(jì)時(shí)間/Design Period: 2008-2009

Zhangjiajie Museum, Zhangjiajie, Hunan, China, 2015

Principal Architect: WEI Chunyu

1 方案草圖/Sketch

2 總平面/Site plan

3 首層平面/Floor 0 plan

4 二層平面/Floor 1 plan

5-7 外景/Exterior views