海爾蒙德可可工廠

Cocoa Factory Helmond

地點(diǎn)：荷蘭海爾蒙德

業(yè)主：Gemeente Helmond

面積：5 574平方米

完工：2014年

攝影：Jannes Linders; Léon van Woerkom

Address: Cacaokade 1, 5705 LA Helmond

Client: Gemeente Helmond

Gfa: 5 574 m2

Realization: 2014

Photography: Jannes Linders; Léon van Woerkom

盛極一時(shí)的海爾蒙德荷蘭可可工廠在二十世紀(jì)三十年代遭遇破產(chǎn)，此后廠房一直由不同機(jī)構(gòu)共同使用。這些廠房隨著時(shí)間的推移也發(fā)生了許多變化。例如，別具特色的四坡屋頂已經(jīng)消失，廠房的一部分在2008年的大火中也遭到破壞。但它仍然是海爾蒙德最典型的工業(yè)遺產(chǎn)。自2014年3月起，它被改造成了一個(gè)文化熱點(diǎn)，擁有供創(chuàng)意產(chǎn)業(yè)公司使用的音樂場館、藝術(shù)電影院、展覽區(qū)、餐飲區(qū)和工作區(qū)。cepezed作為設(shè)計(jì)方，打造出一個(gè)清晰可辨的現(xiàn)代化文化產(chǎn)業(yè)園。

由于各種建筑組件的技術(shù)狀況不良，并且主體建筑所用磚塊過于脆弱，因此選用了能夠以相互影響的抽象形態(tài)總體反映工廠原貌的方案?；謴?fù)了原來的四坡屋頂設(shè)計(jì)，但外觀卻較為現(xiàn)代、有趣：屋頂有一個(gè)簡約風(fēng)格的不銹鋼頂層。主樓的立面墻壁多年來經(jīng)過無數(shù)次粉刷，已變得非常脆弱。要將這些墻壁恢復(fù)到原來狀態(tài)，需要花費(fèi)大量金錢和時(shí)間，并存在較高的滲水風(fēng)險(xiǎn)。在對一些地方進(jìn)行修補(bǔ)后，采用白色礦牌油漆對立面進(jìn)行處理，這種礦質(zhì)油漆粘著性良好，并且防護(hù)性、耐久性和色牢度都很出色。結(jié)合新的不銹鋼屋頂，這座建筑的形象雖然有點(diǎn)難以捉摸，但仍可準(zhǔn)確無誤地認(rèn)出是一座可可工廠。上世紀(jì)二十年代的擴(kuò)建工程保養(yǎng)狀況非常差，因此被一座為創(chuàng)意產(chǎn)業(yè)打造的現(xiàn)代化新樓取代，但河邊的原有立面被重新利用，保持了這座建筑的鮮明特征。

原來的主樓與擴(kuò)建工程共同構(gòu)成一個(gè)U型內(nèi)庭，庭院上的新建筑物內(nèi)設(shè)有音樂場館和中央門廳。為了隔音以及提高這座新建筑綜合體內(nèi)部的透光性和空間體驗(yàn)效果，這座建筑設(shè)在與U型底部保持一定距離的地方。這座新樓采用一種由垂直安裝防滑格柵構(gòu)成的、很有特色的工業(yè)立面幕墻。通過與照明建筑師Har Hollands合作，在格柵內(nèi)嵌入了LED光條，讓立面變成一個(gè)顯示屏。

The once so successful Nederlandsche Cacaofabriek (Cocoa Factory) in Helmond went bankrupt in the 1930s, after which the buildings were always in shared use by different parties. The complex has undergone many changes in the course of time. For instance, the characteristic hipped roof disappeared and part of the complex was destroyed by fire in 2008. Nonetheless it remained the defining piece of industrial heritage in Helmond. Since March 2014 it has housed a cultural hotspot that includes a music venue, art cinema, exhibition space, catering and work spaces for companies in the creative industry. cepezed created the design and went for a contemporary, modern and recognizable culture cluster.

Due to the poor technical state of the various building components and the fragility of the bricks used in the main building, solutions were chosen that primarily reflect the original factory in an abstract interplay of forms. The former hipped roof is back, but with a contemporary playful appearance: the roof has a top layer of minimally detailed stainless steel. The fa?ade walls of the main building had been painted countless times over the years and were very vulnerable. Bringing them back to their original state would have been a costly and timeconsuming process and involve a high risk of moisture penetration. After repairs were carried out in some places, the fa?ades were treated with white Keim, a mineral paint that adheres well and provides a large degree of protection, durability and colourfastness. In combination with the new stainless steel roof, this gives an almost intangible image that is nonetheless unmistakably recognizable as the cocoa factory. An extension added in the 1920s was in a very bad state of repair and was replaced by modern new-build for the creative industry, where the existing fa?ade alongside the water was however reused and has remained a distinctive feature.

Together with the extension, the original main building forms a U-shaped inner courtyard on which the music venue and the central foyer have been housed in a new-build volume. In the interests of acoustic separation and to enhance the incidence of daylight and spatial experience in the newly formed ensemble, this volume has been placed at some distance from the basis of the U-shape. The newbuild has a distinctive industrial fa?ade screen of vertically mounted anti-slip grilles. In cooperation with lighting architect Har Hollands, LED strips have been integrated into the grilles, thus turning the fa?ade into a display as well.