地點(diǎn)：意大利維琴察

時(shí)間：2002年-2004年

業(yè)主：Giuseppe and Cristina Cardini –

Ditta Bortolo Nardini SpA

建筑師：馬希米亞諾??？怂_斯，多麗安娜?福克薩斯

面積：2,496平方米

SITE: Bassano Del Grappa, Vicenza, Italy

PERIOD: 2002-2004

CLIENT: Giuseppe and Cristina Cardini –

Ditta Bortolo Nardini SpA

ARCHITECTS: Massimiliano and Doriana Fuksas

AREA: 2,496 sq. m.

一個(gè)巨人般的“靜物”，用于著名的納爾迪尼酒廠。

兩個(gè)“世界”：第一個(gè)為“懸浮”，由兩個(gè)透明的橢圓形泡沫組成，里面是研究中心的實(shí)驗(yàn)室，另一個(gè)是在“水下的”，切入地面的空隙，類似一條自然峽谷，那是可以容納100個(gè)座位的禮堂。下降斜坡使得禮堂的大峽谷通道成形，也可用作一個(gè)露天舞臺(tái)。利用這兩個(gè)傾斜平臺(tái)可以在內(nèi)部建立一個(gè)競(jìng)技場(chǎng)來(lái)舉行活動(dòng)。觀眾四周?chē)@著不規(guī)則形狀的斜墻。水的光線反射到地面，再通過(guò)地面反射，在入口區(qū)域形成兩個(gè)泡沫之間的閃耀光圈，看起來(lái)似乎漂浮在空中“暫?！?。水下天窗使得光線在白天進(jìn)入并擴(kuò)散到整個(gè)地下空間，到了晚上，他們形成一個(gè)光源。細(xì)細(xì)的光線序列，不同的傾角，與斜舉結(jié)構(gòu)共同形成一種動(dòng)態(tài)張力。游客們體驗(yàn)著一系列不斷變化的視角，而這些視角都是由各種各樣建筑特點(diǎn)的規(guī)范對(duì)稱性產(chǎn)生的：兩個(gè)交錯(cuò)重疊的橢圓體，傾斜地上升，通風(fēng)的樓梯和旋轉(zhuǎn)形式的入口坡道。

泡沫的表面由完全透明的雙層表皮組成，通過(guò)表面我們能欣賞到全方位的壯麗的Montegrappa山岳景觀。

兩種標(biāo)志：一種表現(xiàn)為精致、優(yōu)雅、技術(shù)性和無(wú)形，另一種表現(xiàn)為非常強(qiáng)悍、物質(zhì)的、鋼筋混凝土般，形成一種頓悟的形式。

容器及其承載的內(nèi)容，恒定張力在上下間傾斜的坡度結(jié)構(gòu)；也同樣以向上的助力推動(dòng)玻璃實(shí)驗(yàn)室泡沫上升，以向下的推力埋葬了了嚴(yán)肅的禮堂。

支撐建筑的錨固定在地面上。蕩漾的水面像一面鏡子。幾何建筑總是具有一些荒謬的同源性，如空間振動(dòng)和自身膨脹。原本只是5厘米深的水，突然延伸了好幾米。在這種情形下，沿著人行道漫步確實(shí)是非常激動(dòng)人心的經(jīng)歷。

A giant “still” dedicated to the famous Nardini distillery.

Two “worlds”: the first “suspended”, composed of two transparent ellipsoidal bubbles holding the research centre laboratories, and the other “submerged”, a space cut into the ground like a natural canyon holding a 100-seat auditorium. A descending ramp shapes the canyon space leading through the auditorium and may also be used as an outdoor stage. The contrast between the two sloping platforms creates one single seamless arena for hosting events. Seated spectators are surrounded by a landscape generated from the arrhythmic pattern of the sloping walls. The re fl ective surface of the water at ground level creates a reverberating and shimmering space in the entrance area set between the two bubbles, which appears to float “suspended” in the air. The underwater skylights let the light fi lter and spread through the underground space during the day; during the night, they become a luminous source. The thin columns, with different inclinations, create a dynamic tension together with the oblique lift structure. Visitors are faced with a sequence of constantly changing views generated by the carefully gauged symmetry of the various architectural features: the two staggered and overlapping ellipsoids,the sloping lift contrasting with the airy stairway and the rotating form of the entrance ramp.

The surface of the bubbles is composed of a totally transparent double skin allowing us to focus for 360° on the splendid mountain landscape of Montegrappa.

Two signs: one of which is refined, elegant, technological and immaterial. The other is quite brutal as the material, the reinforced concrete, turns into an epiphany of form.

A container and its contents, constant tension between positive and negative connected by the sloping liftstructure; but also immersed in the energy that pushes the glass laboratory bubbles upwards and that buries the weighty auditorium underground.

The columns supporting the building appear to anchor it to the ground. The reverberating water creates a mirror like surface. The geometric site of some sort of absurd homology where space vibrates and dilates itself. The water, which is just 5 cm deep, suddenly extends up for several metres. Wandering along the walkway really is an extremely emotional experience.