設(shè)計(jì)單位：ACDF 建筑事務(wù)所

設(shè)計(jì)團(tuán)隊(duì)：Maxime-Alexis Frappier， Martin Champagne， Christelle Montreuil Jeanpois， Clothilde Caillé-Lévesque， Maxime Boisselle， Maxime Boily

結(jié)構(gòu)工程：Jean Marc Dugré Ingénieur

總承包商：Constructions Boivin

面積：360平方米

項(xiàng)目年份：2016年

攝影師：Adrien Williams

Architects： ACDF Architecture

Lead Architects： Maxime-Alexis Frappier， Martin Champagne，

Christelle Montreuil Jeanpois， Clothilde Caillé-Lévesque， Maxime Boisselle，

Maxime Boily

Structural Engineer： Jean Marc Dugré Ingénieur

General Contractor： Constructions Boivin

Area： 360 m2

Year： 2016

Photographs： Adrien Williams

位于加拿大東部鄉(xiāng)村的門弗雷梅戈格湖（Memphremagog）的湖濱，湖畔別墅是為一對(duì)目前在蒙特利爾和美哥格之間來(lái)回奔波的本土姐妹設(shè)計(jì)的第二居所。兩姐妹都十分熱愛(ài)音樂(lè)和自然，渴望自己的住宅有一個(gè)寬闊的室外居住空間，這樣她們就可以在享受烹飪和美食的同時(shí)，直接將自己置身于湖邊和大自然中。

因此，在本住宅的中心區(qū)域有三個(gè)強(qiáng)大而統(tǒng)一的設(shè)施：廚房、餐桌和鋼琴。就像門弗雷梅戈格湖湖畔的景觀一樣，住宅是以一個(gè)開(kāi)放的形態(tài)建立的，沒(méi)有實(shí)體的物理界限。設(shè)計(jì)方案從景觀入手，著重考慮將周邊的美麗風(fēng)景變成建筑的一部分。廣闊的農(nóng)業(yè)用地和山谷一直延伸到地平線，將山中的景觀完全打開(kāi)，唯一的視覺(jué)限制就是欄柵和石頭圍墻。

位于場(chǎng)地的中央，欄柵被重新定義為一個(gè)連續(xù)的木制環(huán)帶。木制環(huán)帶從地平面拔地而起，通過(guò)調(diào)整建筑開(kāi)放空間的方式來(lái)包圍住宅的居住空間。建筑水平的開(kāi)口使住戶可以觀賞自然和門弗雷梅戈格湖的全景。人們于此可以獲得的景觀體驗(yàn)多種多樣。同時(shí)，盡管景觀不斷變化，但是住宅的簡(jiǎn)潔性和體塊構(gòu)成都是基于這個(gè)對(duì)基地的處理方式之上的。

除了在特定的區(qū)域內(nèi)需要使用欄柵來(lái)界定空間外，住宅自然地占據(jù)了當(dāng)?shù)氐木坝^全貌，通過(guò)捕獲其中心區(qū)域的景觀實(shí)質(zhì)來(lái)創(chuàng)造一個(gè)功能性空間。東部村鎮(zhèn)的當(dāng)?shù)亟ㄖ螒B(tài)多為木質(zhì)的農(nóng)村建筑物和粗石料建造而成的可持續(xù)性建筑，在此它們被重新詮釋，定義了毫不吝嗇地朝向景觀開(kāi)放的現(xiàn)代建筑。

Located on the shores of Lake Memphremagog in the Eastern Townships， the House of the lake is a secondary residence designed for two sisters who are native to the region， and currently oscillate between Montreal and Magog. Rapidly， the two clients who love music， nature and the land expressed their desire for a home with an open living area， where gastronomy and good dishes are prepared in direct relation to nature and the lake. At the heart of the space thus settle the three strong and unifying elements of the project： the kitchen， the dining table and the piano.

Like Memphremagog`s landscape， the house is built with openness as a mindset， without physical boundaries. The starting point for the architecture is that of the immediate landscape; the scenic beauty of the surroundings. Large agricultural lands and valleys， whose only visual limits are fences and stone walls， extending to the horizon and opening again to other mountainous landscapes.

Located in the center of the site， the fence is redefined as a continuous wood band. From the ground， the wood band rises and envelops the living spaces by modulating the openings of the house. The horizontal openings define panoramic views of nature and the lake. Experiences with the landscape are many and varied. And despite the changing views， simplicity and volumetric organization of the house are based on this simple anchorage to the site.

The house naturally takes up this idea of the local landscape so often panoramic， except that the limits of a fence are used here to define the space， creating a place for the program by trapping the substance of landscape in its center. Vernacular typology of the Eastern Townships， the wooden farm buildings and sustainable construction made of field stone， is reinterpreted to define the modern house that is generously opened on the landscape.