設(shè)計(jì)單位： React建筑師事務(wù)所

主管建筑師：Yannis Vagias

工程設(shè)計(jì)：Christos Smyrnis

景觀設(shè)計(jì)：Paros Fytotechniki

設(shè)計(jì)顧問：Nikos Christofyllakis

建筑面積 ： 200平方米

項(xiàng)目年份 ： 2017年

攝影師 ：George Messaritakis

Architects： React Architects

Collaborating Architect – Supervision： Yannis Vagias

Engineering： Christos Smyrnis

Landscape： Paros Fytotechniki

Consultants： Nikos Christofyllakis

Area： 200 m?

Year： 2017

Photographs： George Messaritakis

“佳景”別墅位于基克拉迪群島帕羅斯島上的阿格里亞。別墅朝西，面向大海。建筑從自然的斜坡上伸出，在漂浮于地面上的懸臂平臺上排列，東側(cè)有一個露臺，可以抵御北風(fēng)。

別墅的入口位于場地的最西端。后院坐落在建筑和斜坡之間的核心空間之中，并向南側(cè)延伸，與露臺相接。它是自然與建筑之間，以及主屋、公共區(qū)域、客房和露臺之間的中間地帶。

建筑重新詮釋了基克拉迪建筑的基本元素：白色體塊與開放空間相互連接，位于懸臂平臺上，這是一個觀景點(diǎn)，可以看到安提帕羅斯島和墜入愛琴海的山坡。這一設(shè)計(jì)創(chuàng)造了一種當(dāng)代建筑語言，與自然景觀融為一體，因?yàn)槠脚_是現(xiàn)存農(nóng)業(yè)梯田的一部分。

別墅被設(shè)計(jì)成一系列朝向景觀的框架，從而將建筑變成一個“觀景機(jī)器”。我們認(rèn)為建筑設(shè)計(jì)是對“凝視”的微妙定義，房子是一個觀看機(jī)器，但其本身也是一個受觀察的對象。

The house is located at Ageria， on the island of Paros， in the Cyclades. It faces west， towards the sea. The buildings protrude from the natural slope， and they are aligned on a cantilever slab that floats over the land. On their eastern side lays the patio， protected from the northern winds.

The entrance to the house is placed on the westernmost point of the plot. The backyard nestles in the core space between the buildings and the slope， and it extends towards the south side to meet the patio. It is the intermediate between the natural and the built， and between the main house， the common areas， the guest house and the patio.

The buildings reinterpret the basic elements of the Cycladic architecture： white volumes interconnect with open spaces， but this time they rest on a cantilever platform， an observation point that touches the earth lightly， with a view towards Antiparos island and the hillside that plunges into the Aegean. A gesture that creates a contemporary architectural language， integrated with the natural landscape， since the platform was part of a pre-existing agricultural terrace.

The house is designed as a series of frames towards the view， thus turning the building in a “viewing machine”. We perceive the architectural design as a subtle definition of the Gaze， and the house as a viewing machine， but also an object that itself is subject to observation.