設(shè)計單位：React建筑師事務(wù)所

項目建筑師：Yiorgos Spiridonos， Natasha Deliyianni

合作建筑師：Andreas Androulakakis， Tatiana Zanavara

項目主管助理：Ioannis Vagias

機電工程：Christos Smyrnis

照明設(shè)計：Halo Lighting

地板工程：Christos Gerochristos

建筑面積：274平方米

項目年份：2019年

攝影師：Panagiotis Voumvakis

Architects： React Architects

Lead Architects： Natasha Deliyianni， Yiorgos Spiridonos

Collaborating Architects： Andreas Androulakakis， Tatiana Zanavara

Associate Supervisor Architect： Ioannis Vagias

MEP ： Nicolaos Christofilakis

Lighting Design： HALO LIGHTING

Flooring： Christos Gerochristos

Area： 274 m?

Year： 2019

Photographs： Panagiotis Voumvakis

Ysterni三角位于基克拉迪群島帕羅斯島，附近是Ysterni的“Vigla Phryktoria”遺跡。它是邁錫尼時代構(gòu)成蒂諾斯-小亞細(xì)亞通訊網(wǎng)絡(luò)的11個通用場景之一。按照規(guī)劃，該別墅坐落在Ysterni的山上。建筑呈東南走向，可以最大限度地利用太陽光，并避開基克拉迪島凜冽的北風(fēng)。

場地呈三角形走勢，由于尖角以及幽閉角的原因，這種走勢有時也會影響房屋的布局。不過，這里不拘一格的房屋平面克服了這一障礙，并使得三角走勢成為設(shè)計的核心元素。我們還使用了傳統(tǒng)基克拉迪建筑的元素，根據(jù)生物氣候建筑的原則，設(shè)計了一個與景觀完全和諧相融的住宅，其目標(biāo)是使建筑在環(huán)境中的占地面積最小。

雖然面向外部景觀，但房屋內(nèi)部很是寧靜，主要是房屋的造型是基于基克拉迪修道院。大體量的單體建筑被分解成多個更小的體量。這樣一來，建筑和景觀相互襯托，和諧共生，別墅的體量也就明顯縮小了。充分利用連接幾個體量的庭院區(qū)域就構(gòu)成了一個獨立的住宅綜合體。

西北側(cè)的入口處有不規(guī)則的臺階，與橄欖樹一起，構(gòu)成了住宅的軸線。大空間平面的軸線右側(cè)是公共區(qū)域，左側(cè)是私人區(qū)域，構(gòu)成較小的獨立體量。

為滿足現(xiàn)代住戶的需求，設(shè)計中對每一個加入到建筑中的形態(tài)元素都給予了重視。開口的設(shè)計與建筑物的建筑特點彼此融合。重復(fù)和標(biāo)準(zhǔn)化的開口元素在設(shè)計中占主導(dǎo)地位。另外，燒烤區(qū)的涼棚又凸顯了建筑的三角形狀這一特點。

總之，三角形狀的布局、體量適中、石材和木材的使用以及硬表面的節(jié)約特性，都構(gòu)成了這座住宅的典型特征。景觀與建筑巧妙融合，植被覆蓋了大部分區(qū)域，因保留著原有的植被，所以地塊中大部分保留著原有的形態(tài)。

The Ysterni Triangle is in the area of Ysterni on Paros， Cyclades， nearby are the remains of the Vigla phryktoria of Ysterni. It was one of the 11 phryktorias that made up the Tinos - Asia Minor communication network during the Mycenaean era. Following the planning of the phryktories， the residence is placed on the hill of Ysterni. It has a southeast orientation for maximum use of light and protection from the strong northerly winds that characterize the Cycladic Island.

The site is triangular， which is sometimes a deterrent factor for the layout of the house due to the sharp and claustrophobic angles. On the contrary， this residence with free floor plans manages to overcome this obstacle and make it the central element of the design. Using also elements of traditional Cycladic architecture， we designed a residence that is fully in harmony with the landscape with the principles of bioclimatic architecture， the goal of which is the smallest footprint of the building in the environment.

Although it is facing the view， the house has a tranquil interior because it was modeled after Cycladic monasteries. The single building's vast volume is broken up into smaller volumes. In this way， the building and landscape are harmoniously adapted， and the volume of the house is noticeably reduced. Utilizing the courtyard area that connects the several volumes， a single residential complex is built.

The entrance on the northwest side is marked with interrupted steps which， together with the olive tree， define the central axis around which the residence is being developed. The common spaces are developed on the right side of the axis in a free plan and the private areas are developed on the left， in smaller independent volumes.

Importance has been given to every morphological element that comes to be added to the building， serving the needs of the modern resident. The design of the openings is combined with the architectural character of the building. The element of repetition and standardization of openings dominates the design. Also， the pergola in the bbq area in turn emphasizes the triangular shape of the building.

In conclusion， the triangular arrangement， the modest volumes， the use of stone and wood， and the economy of hard surfaces come to underline the archetypal form of this residence. The landscape architecture is integrated into the project by covering the largest part of the building with vegetation and leaving intact the largest part of the plot that maintains its original vegetation.