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Matilda Browne (1869-1947)was a successful artist in the early 20th century,but unfortunately,few people know her name or her art today.

瑪?shù)贍栠_(dá)·布朗（1869—1947）是20 世紀(jì)早期成功的畫(huà)家，但遺憾的是，如今很少有人知道她的名字或作品。

2 Matilda Browne showed promising artistic talent early in her life.Growing up in Newark,New Jersey,she got an introduction to art by watching her neighbor,Hudson River School painter Thomas Moran.

2 瑪?shù)贍栠_(dá)·布朗早年就顯露出強(qiáng)大的藝術(shù)天賦。她在新澤西州紐瓦克市長(zhǎng)大，通過(guò)觀察鄰居——哈德遜河派畫(huà)家托馬斯·莫蘭作畫(huà)，她初步接觸到藝術(shù)。

3 Her parents supported their budding young artist.She studied with many teachers,including Moran,Kate and Eleanor Greatorex (daughters of Eliza Pratt Greatorex),Carleton Wiggins,and Julian Dupré.Her mother took her to Europe for training while she was still quite young.And it paid off.Matilda Browne participated in her first major exhibition at the National Academy of Design when she was just twelve years old.

3 這位新生年輕畫(huà)家得到了父母的支持。她師從眾家，如莫蘭、凱特·格雷特雷克斯和埃莉諾·格雷特雷克斯（伊麗莎·普拉特·格雷特雷克斯的兩個(gè)女兒）、卡爾頓·威金斯和朱利安·杜普雷。幼時(shí)，母親就帶她去歐洲學(xué)習(xí)，并學(xué)有所成。瑪?shù)贍栠_(dá)·布朗年僅12 歲就在美國(guó)國(guó)家設(shè)計(jì)學(xué)院舉辦了她的第一次大展。

4 Browne loved to paint animals,especially cows and other livestock.She also painted many flowers,often in colorful garden landscapes.Her bold brushwork gave her floral paintings a lush,fluffy appearance that is easy to identify once you’ve seen it a few times.Her style is best described as Impressionism,although her pastoral animal scenes recall French Barbizon landscape painting.She also made some bronze animal sculptures.

4 布朗熱衷畫(huà)動(dòng)物，尤其是奶牛等牲畜。她也畫(huà)了很多花，通常是色彩絢麗的花園風(fēng)景。她筆法大膽，筆下的花卉畫(huà)豐富華美、柔和輕盈，一旦見(jiàn)過(guò)幾次，很容易就能認(rèn)出來(lái)。雖然她的田園動(dòng)物風(fēng)景讓人想起法國(guó)巴比松畫(huà)派的山水畫(huà)，但確切地說(shuō)，她的風(fēng)格是印象派。她還制作過(guò)一些青銅動(dòng)物雕塑。

5 Matilda Browne quickly became a respected and successful artist.Her list of accolades opened doors that would have been otherwise un-accessible for a female artist of her time.As an adult,she moved to Connecticut,where she painted in the Cos Cob and Old Lyme art colonies.At Old Lyme,she was the only woman accepted into the inner circle living and working at Florence Griswold’s boarding house.Although the group wasn’t typically friendly to female artists,these men liked and respected Browne.She even had the honor of painting a door in Miss Florence’s house,on which she depicted two peaceful cows in a bucolic landscape.Some sources say that her good sense of humor helped her fit in with the boys,while others claim that her seriousness is what won them over.Either way,her great skill as a painter made these other artists take notice.Her membership in the Old Lyme Art Colony is commemorated by her inclusion in Henry Rankin Poore’s,a playful frieze over Miss Florence’s dining room fireplace.

5 瑪?shù)贍栠_(dá)·布朗很快成為備受尊敬的成功畫(huà)家。眾多榮譽(yù)加身，為她敲開(kāi)一扇扇大門(mén)。對(duì)那個(gè)時(shí)代的女性畫(huà)家來(lái)說(shuō)，若非這種種榮譽(yù)，這些大門(mén)是無(wú)法開(kāi)啟的。成年后，她移居康涅狄格州，在科斯科布和舊萊姆鎮(zhèn)藝術(shù)區(qū)繪畫(huà)。她是舊萊姆鎮(zhèn)唯一能進(jìn)入畫(huà)家核心圈子的女性；這些畫(huà)家在弗洛倫絲·格里斯沃爾德的寄宿公寓生活和創(chuàng)作。雖然這群男性通常對(duì)女性畫(huà)家不怎么友好，但他們喜歡且尊重布朗。她甚至還有幸在弗洛倫絲女士的公寓房門(mén)上作畫(huà)，門(mén)上一片田園風(fēng)光，兩頭奶牛神態(tài)安然。有些人認(rèn)為她俏皮風(fēng)趣，能和男畫(huà)家融洽相處，另一些人則認(rèn)為她舉止穩(wěn)重，贏得了男性的支持。不管怎樣，她畫(huà)技高超，引得這些異性畫(huà)家另眼相待。弗洛倫絲女士公寓餐廳的壁爐上方有幅長(zhǎng)條橫幅畫(huà)，是亨利·蘭金·普爾的戲作《追狐》，上面畫(huà)有布朗，她是舊萊姆鎮(zhèn)藝術(shù)區(qū)一員的身份有此為念。

6 Browne was a successful artist throughout her life.She won numerous awards,such as a medal at the 1893 World’s Columbian Exposition,and exhibited in many important shows,including the Paris Salon.Art critics raved about her.She married Frederick Van Wyck in 1918.Van Wyck wrote a book calledin 1932,and Matilda did all the illustrations.

6 布朗一生成績(jī)斐然，她獲獎(jiǎng)無(wú)數(shù)，如在1893年世界哥倫布博覽會(huì)上獲獎(jiǎng)；她的作品在許多重要展覽中展出，包括巴黎藝術(shù)沙龍。藝術(shù)評(píng)論家對(duì)她贊不絕口。1918年她嫁給弗雷德里克·范懷克。1932年范懷克寫(xiě)《老紐約人的回憶》一書(shū)，所有插圖都是瑪?shù)贍栠_(dá)畫(huà)的。

7 Even though Matilda Browne was so successful in her time,very few people know about her today.This is a more common story for female artists than one might think,and it’s always quite frustrating to hear.Art history embraces female Impressionists like Mary Cassatt and Berthe Morisot.So,why has Browne faded into obscurity? It could be because she’s a double minority—in gender and nationality.While researching her,I found that books about female Impressionists omit her,presumably because she was American,while books about American Impressionists tend to focus on the male artists.

7 盡管瑪?shù)贍栠_(dá)·布朗在她的時(shí)代非常成功，但如今卻鮮有人知。對(duì)女性畫(huà)家來(lái)說(shuō)，這種情況比人們所能想見(jiàn)的更為普遍，而聽(tīng)起來(lái)總是讓人唏噓?，旣悺たㄋ_特和貝爾特·莫里索等印象派女畫(huà)家在藝術(shù)史上留名，為什么布朗湮沒(méi)無(wú)聞？可能是因?yàn)樗碾p重（性別和國(guó)籍）少數(shù)群體身份。在對(duì)她開(kāi)展研究的過(guò)程中，我發(fā)現(xiàn)寫(xiě)印象派女畫(huà)家的書(shū)忽略了她，大概因?yàn)樗敲绹?guó)人，而寫(xiě)美國(guó)印象派畫(huà)家的書(shū)往往關(guān)注男性畫(huà)家。

8 Most of Browne’s works are in private collections.The Florence Griswold Museum is the best place to see her art.The museum’s 2017was Matilda Browne’s first solo exhibition in over eighty years.It seems that this modern recognition was long overdue.■

8 布朗的大部分作品被私人收藏，弗洛倫絲·格里斯沃爾德博物館是欣賞她作品的最佳去處。該博物館2017年的“田園牧歌”展覽是80 多年來(lái)瑪?shù)贍栠_(dá)·布朗的第一次個(gè)人畫(huà)展。這是現(xiàn)代社會(huì)對(duì)她的認(rèn)可，而她似乎早該獲得。 □