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        MAIN CONTENTS

        2022-03-29 12:41:29
        人民音樂 2022年2期

        A Report of the Tribute Concert in Memory of the 65th Anniversary of the Guqin Master Wu Wenguang's Music

        Career? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Yang Chunwei (4)

        Lighting up My Hometown With Sounds? Liang Lei (10)

        To Initiate Music Creations and Researches with Chinese Charms and the Spirits of the Times: An Overview of 2021 Annual Meeting of the Music Composition and Composition Theory Society of China Music Association

        Wang Zhongyu & Hu Baoshuai (16)

        Discovering the True Life of Our Revolutionary Martyrs: My Reflections of the Chinese Musical Light Chaser? ? ? ? ? ? ? ? ? ? ? ? ? ? Special Correspondent Lun Bing (21)

        On the Inheritance Mode of Chinese Folk Songs Based on China’s Journal Articles Published From 1978 to 2019? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Xu Ming & He Ling (25)

        The Inheritance and Transformation of Guqin Music: My Thoughts on the Concert of Wu Wenguang's Works? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Zhang Boyu (30)

        On the Classical Characteristics of the Chinese Opera

        Red Guards of Honghu Lake: My Reflections of the

        Adaptation and Staging by the National Centre for the Performing Arts? ?He Kuanzhao (34)

        Cultivating Confidence in Chinese Music Culture is the

        Primary Task of China’s Music Education

        Mao Wei & Du Yaxiong (40)

        Commemorating the 100th Anniversary of the Birth of the

        Late Military Composer Qin Xixuan

        Lu Zulong & Qin Daping (45)

        Reviewing the Late Composer Qin Xixuan's Song Creations Themed on the Great Northern Wilderness

        Zhou Hongchi (50)

        Sidelights of the Opening Ceremony and Seminar on

        Professor Qiao Jianzhong’s Donation of His Books

        Collection and the Founding of "Qiao Jianzhong Archives Center"? Yang Yinbo (54)

        On the Aesthetic Thoughts and Academic Style of the Late

        Professor Wang Ningyi? Li Minghui (57)

        A Study of the O2O Paradigm of Music Education at China’s Normal Universities Under the Framework of TPACK? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Zhou Yi & Cao Jin (64)

        On the Principle of “Black and White & Harmony in

        Diversity” and the Communication Case Study of Chinese

        Sights and Sounds-24 Pieces on Chinese Folk Tunes for Orchestra? ? Zhang Xin & Wu Xiulin (68)

        On the Pulitzer Prize Winning Opera Prism With Also My

        Views on the Status Quo of America’s New Opera

        Sun Xiaoye (73)

        On the Role and Discourse of Music Criticism

        Xie Jiaxing & Liu Changwei (78)

        An Overview of 2021 Frontier Forum on the Centennial

        Review and Prospect of Western Music Researches in China? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Wang Bu & Li Jing (84)

        A Study of the Greek Mimetic Theory, Homer’s Epics and

        the Oral Paradigm Theory: My Views on the Improvisational Creations in Mankind’s Early Music Activities

        Chen Chang (88)

        My Reflections on the Book An Acoustic Study on the

        Acoustic Characteristics of Qike and Bugu-Bamboo

        Instruments of Jinuo People? ? ? ? ? ? ? ? ? ? ? ? ?Jiang Jing (92)

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