朱瑞 · 桑達(dá) / 波士庭 · 維加
Jurij Sadar / Bo?tjan Vuga
朱瑞 · 桑達(dá) / 波士庭 · 維加
Bo?tjan Vuga是國際知名的斯洛文尼亞建筑師,畢業(yè)于盧布爾雅那大學(xué)建筑學(xué)院以及倫敦的AA建筑學(xué)院。1996年,他和Jurij Sadar一同創(chuàng)辦SADAR+VUGA建筑事務(wù)所。
Bo?tjan Vuga曾任教于鹿特丹的貝爾拉格學(xué)院,加泰羅尼亞高等建筑研究院(IAAC), 盧布爾雅那大學(xué)建筑學(xué)院,柏林工業(yè)大學(xué)和明斯特大學(xué)建筑系。他是AA建筑學(xué)院,德紹包豪斯,蘇黎世聯(lián)邦工業(yè)大學(xué),因斯布魯克大學(xué),弗萊堡建筑學(xué)院,維也納視覺藝術(shù)學(xué)院和其他學(xué)校的訪問評論家。他定期國內(nèi)外的建筑學(xué)院、學(xué)術(shù)會議和專題研討上發(fā)表演講。同時,他發(fā)表關(guān)于當(dāng)代建筑與城市規(guī)劃問題方面的文章。
Bo?tjan Vuga 參加2014年第14屆威尼斯建筑雙年展,作為Montenegro 展館的共同策展人。2014年起,他擔(dān)任斯洛文尼亞MAO建筑設(shè)計博物館理事會主席。
Bo?tjan Vuga is internationally acclaimed Slovenian architect,who studied at the Faculty of Architecture in Ljubljana and at the AA School of Architecture in London. In 1996 he founded SADAR+VUGA architectural office along with Jurij Sadar.
Bo?tjan Vuga has taught at the Berlage Institute Rotterdam, the IAAC Barcelona, the Faculty of Architecture Ljubljana, TU Berlin and MSA Muenster. He was a visiting critic at AA London,the Bauhaus Kolleg in Dessau, the ETH in Zürich, Leopold-Franzens-Univeristaet Innsbruck,EIA Ecole D’ingenieurs et d’architectes Fribourg, the Academy of Visual Arts Vienna among others. He regularly lectures at architectural schools, conferences, and symposia in Slovenia and abroad. He publishes articles about current issues in architecture and urban planning. He edited several publications, among them the Plecnik 2007 issue for AB Architectural Bulletin and series of publications for TU Berlin.
Bo?tjan Vuga participated as a co-curator at the Montenegro Pavilion, at the 14th Venice Biennale of Architecture , Venice 2014.Since 2014 he has been a president of the council of the MAO Museum of Architecture and Design of Slovenia.
Jurij Sadar是國際知名的斯洛文尼亞建筑師,畢業(yè)于盧布爾雅那大學(xué)建筑學(xué)院(1987)。畢業(yè)后到1993年期間,一直是獨立建筑師。1993到1997年,他擔(dān)任盧布爾雅那大學(xué)助理教授。他是SADAR+VUGA建筑事務(wù)所聯(lián)合創(chuàng)始人之一。
他在國內(nèi)外建筑學(xué)校、學(xué)術(shù)會議和專題研討會中發(fā)表演講,其中包括Piran Days of Architecture, 洛杉磯SCI — ARCH, 東京和墨爾本建筑新趨勢,加州大學(xué)洛杉磯分校建筑與城市設(shè)計學(xué)院, 德國明斯特國際雕塑藝術(shù)展,北京清華大學(xué), BauWelt Münich雜志, Malta設(shè)計周, Skopje建筑周,Kotor 建筑夏令營, Nancy國際建筑周 ,以及湖南大學(xué)建筑學(xué)院。
Jurij Sadar現(xiàn)為盧布爾雅那大學(xué)建筑學(xué)院助理教授。
Jurij Sadar is internationally acclaimed Slovenian architect,who graduated at the Faculty of Architecture in Ljubljana (1987), and worked as an independent architect until 1993. From 1993 to 1997 he worked as assistant professor at the same faculty. He is the cofounder of architectural office SADAR+VUGA.
He lectures at architectural schools, conferences and symposia in Slovenia and abroad, among others Piran Days of Architecture, SCI – ARCH Los Angeles, New trends of Architecture Tokyo and Melbourne, UCLA Department of Architecture and Urban Design Los Angeles, Skulptur Projekte Münster, Tsingula University Bejing, BauWelt Münich, Malta Design Week, Skopje Architecture Week, Kotor Architectural Summer School, Semaine Internationale d’architecture in Nancy and School for architecture Hunan University Changsha.
Jurij Sadar is currently associate professor at the Faculty of Architecture in Ljubljana.
隨著項目開展和對城市的研究,Jurij Sadar和Bo?tjan Vuga開始參與政治和決策過程。他們堅信建筑不應(yīng)當(dāng)只是設(shè)計對象,而同樣應(yīng)當(dāng)是塑造和改變社會生活空間的方式:希望我們能以新穎的方式認(rèn)識世界,并產(chǎn)生全新的交互方式。
Jurij Sadar和Bo?tjan Vuga通過不斷的研究和項目實施確定了不同的建筑主題、對其進(jìn)行分類并逐漸形成專屬建筑語匯。Jurij Sadar和Bo?tjan Vuga在2006年威尼斯建筑雙年展上作為斯洛文尼亞代表將這一創(chuàng)造性成果命名為“新盧布爾雅那公式”并向公眾呈現(xiàn)。繼引入該公式后,他們系統(tǒng)性開發(fā)出一整套連貫的方法,對建筑作品及其影響進(jìn)行比較,并在公式的對象——即同一試驗場地盧布爾雅那上呈現(xiàn)。
Jurij Sadar和Bo?tjan Vuga的設(shè)計方法需對事務(wù)所建筑作品的創(chuàng)造潛力進(jìn)行透徹的研究分析。對建筑作品的審查內(nèi)容包括:年度報告、財務(wù)規(guī)劃、工作方法、宣傳方案、設(shè)計草圖、未實現(xiàn)草圖,這對大多數(shù)建筑師而言屬于機密性材料,但Jurij Sadar和Bo?tjan Vuga卻將設(shè)計過程的每個環(huán)節(jié)作為一項成果,向外界(客戶)介紹。
Jurij Sadar和Bo?tjan Vuga采用跨越式的設(shè)計方式,涵蓋從城市規(guī)劃到室內(nèi)設(shè)計等多類作品。其項目設(shè)計靈感來源于視覺、聽覺和文字信息,來源于藝術(shù)與時尚、科學(xué)與技術(shù),設(shè)計出體驗式和交互式居住環(huán)境??蛻魳?gòu)成涵蓋市政府和中央政府、私營和國有藝術(shù)機構(gòu)乃至本地客戶和國際開發(fā)商,反映其事務(wù)所客戶群的多元化。
With the projects and urban studies the architects at SADAR+VUGA intervene in the political and decision-making processes. The architects believe that architecture should not merely function as a design object, but also be a means to shape and change social space: the architects aim to make us look at the world in a different way, so that we can also act differently in it.
However, the studio has - through studies and realisations - developed certain architectural themes, categorised them and slowly formed their own architectural vocabulary - a creative catalog - which they presented at 2006 Venice Architectural Biennaleas Slovenian representatives with an exhibition titled Formula New Ljubljana. With the introduction of formulas they systematically developed a coherent methodology which compared architectural products and their effects, and presented them with a common denominator - formulas - on a single experimental testing ground - Ljubljana.
The methodology of SADAR+VUGA architects relies on a relentless research of the creative potential of office own architectural production. The (re)view of the architectural product includes the process that goes with it: the annual reports, fi nancial plans, work methodologies,communications plans, sketches, unrealized drafts.These are things architects often keep hidden but SADAR+VUGA treats each element of the process as a product. The office communicates these elements to the wider public, clients.
The office has a forward-leaping and critical approach, covering a wide spectrum of production from urban planning to interior design. The stimulation for its projects comes from visual, audial and textual information, from art and fashion, science and technology, allowing architects to generate a sensitive and responsive environment we live in. The client base reflects the diversity of the office, ranging from municipal and central governments, private and national arts bodies, to local clients and international developers.