建設(shè)單位：諾頓藝術(shù)博物館

項目地點：美國佛羅里達(dá)州

設(shè)計單位：福斯特建筑事務(wù)所

合作單位：CBT 建筑師事務(wù)所

結(jié)構(gòu)工程：MKA

場地面積：21 367 平方米

建筑面積：4 645 平方米

竣工日期：2019

攝影：Nigel Young / 福斯特建筑事務(wù)所

Client: The Norton Museum of Art

Location: West Palm Beach, Florida, USA

Architect: Foster + Partners

Collaborating Architect: CBT Architects

Structural Engineer: MKA

Site Area: 21 367 m2

Building Area: 4 645 m2

Completion Year: 2019

Photography: Nigel Young / Foster + Partners

經(jīng)過多年的規(guī)劃，諾頓藝術(shù)博物館將重新向公眾開放，屆時由福斯特建筑事務(wù)所和波士頓 CBD 設(shè)計公司合作設(shè)計建造的側(cè)廳和雕塑花園也同時開放。

新建的西側(cè)廳將徹底改變諾頓藝術(shù)博物館6.3 英畝的園區(qū)布局。還改善了博物館的可達(dá)性和開放性，將新入口設(shè)置在沿南迪克西高速公路的主干道上，并恢復(fù)了建筑1941 年最初設(shè)計的邏輯和清晰度。通過加強(qiáng)建筑與景觀之間的關(guān)系，增強(qiáng)了與藝術(shù)互動的體驗，為社區(qū)營造出了一個新的社交空間。

諾頓博物館建于1941 年，是一個由一系列以典雅藝術(shù)風(fēng)格裝飾的單層展館圍繞著一個中央庭院組成的博物館。隨后的擴(kuò)建打破了原有布局的對稱性，將主入口重新定位到建筑的一側(cè)，改變了原有的軸向結(jié)構(gòu)。新的總體規(guī)劃重新確定了主要交通線路的清晰性，并平衡了不同的建筑高度，同時還引入了新的展廳和教育空間，恢復(fù)了原始規(guī)劃的凝聚力。除了新設(shè)計的畫廊空間外，新規(guī)劃還仔細(xì)剝離了后來擴(kuò)建的層次，揭示出了歷史畫廊的原始結(jié)構(gòu)。

The design for the Norton Museum of Artrevitalises and expands the existing museum,adding more galleries and visitor facilities,while res-toring the original axial layout ofthe Museum.

The site has been transformed into a lush Floridagarden, providing a new outdoor set-ting for visitors toexperience art, while reinforcing the relationship betweenthe building and the landscape. It creates a new socialfocus for the community and lays the foun-dations for thefuture growth of the museum to become one of Florida’sleading cultural institutions.The Norton was built in 1941 as an elegant seriesof Art Deco-inspired sin-gle-story pavilions around acentral courtyard. Subsequent expansion broke thesym-metry of the original arrangement, and the axialconfiguration was undermined by the relocation ofthe main entrance to the side of the building. The newmasterplan restores the logic of the original plan,reasserting the clarity of the main circulation, balancingthe different building heights, introducing new exhibitiongalleries and education spaces. The new facilities includean auditorium, shop, restaurant and a unique socialmeeting space - the Great Hall - as well as the GreatLawn,suitable for screening films outdoors, all aimedat attracting a wider local and international audience.

In addition to providing new gallery spaces, the designcarefully peels away layers of subsequent extensionsto reveal the original fabric of the historic galleries.The campus provides the much-anticipated outdoorsetting for the museum’s growing sculpture collectionand reinforces the relationship between the buildingand the landscape.It seeks to create an enhanced visitorexperience with a strong social focus for the com-munitywhile laying the foundation for the future growth of themuseum as one of Florida’s leading cultural institutions.A new street frontage and entrance on South DixieHigh-way to the west redefines the museum’s relationshipwith the city. One of the main protagonists for the designof the new entrance plaza is an iconic Banyan treethat was planted when the museum was first built.

園區(qū)現(xiàn)在為博物館不斷增加的雕塑收藏提供了一個令人期待的戶外環(huán)境，并加強(qiáng)了建筑與景觀之間的關(guān)系。它營造出了一個能夠增強(qiáng)游客體驗的社會空間，同時為博物館作為佛羅里達(dá)州領(lǐng)先的文化機(jī)構(gòu)之一的未來發(fā)展奠定了基礎(chǔ)。

設(shè)置在西側(cè)靠近南迪克西高速公路上的新入口重新定義了博物館與城市的關(guān)系。新入口廣場的主要標(biāo)志之一是一棵標(biāo)志性的榕樹，它是在博物館剛建成時種下的：新擴(kuò)建部分閃亮的屋頂環(huán)繞在樹冠周圍，在保護(hù)入口廣場的同時，將整個建筑組合在了一起。在樹冠后面，三個雙層高的展廳協(xié)調(diào)了低層畫廊和現(xiàn)有的三層高的內(nèi)塞爾翼，并通過白色水平帶狀灰泥將整個色調(diào)統(tǒng)一起來。展廳內(nèi)設(shè)有一個最先進(jìn)的藝術(shù)禮堂，而大廳將是當(dāng)?shù)厣鐓^(qū)新的社會中心：包括一個活動空間，教育中心，博物館商店和餐廳，并提供可以俯瞰花園的帶有遮陽棚的室外座位。

花園是總體規(guī)劃的一個組成部分，它加強(qiáng)了建筑和景觀之間的關(guān)系，同時也贊美了佛羅里達(dá)豐富多樣的植物群。利用佛羅里達(dá)的氣候，花園的景觀融合了當(dāng)?shù)氐臉淠竞突ɑ埽瑸橛慰吞峁┝岁帥龅淖叩篮蜏剀暗沫h(huán)境來欣賞藝術(shù)品。與樹冠相對應(yīng)，大懸臂結(jié)構(gòu)和陰影柱廊確保不受強(qiáng)烈陽光的照射，而亞熱帶的陽光和郁郁蔥蔥的景色仍然可以作為游客體驗的一部分。

The extension’s new shimmering roof curves aroundthe tree canopy, uniting the entire ensemble whilesheltering the entrance plaza. Behind the canopy, threenew double-height pavilions mediate the low-rise galleriesand the existing three-story Nes-sel Wing, unifyingthe whole composition with a shared palette of white,horizontally-banded stucco.

The pavilions house a state-of-the-art auditorium,the Great Hall, which will be the new social heartfor the local community, an event space, educationcenter, museum shop and restaurant that providesshaded outdoor seating overlooking the garden.

Creating a focus is Claes Oldenburg’s iconicTypewriter Eraser, Scale X (1999) sculpture,floatingover a reflecting pool and signifying the museum’sexpanded commitment to contemporary art.The garden is an integral part of the masterplan,which seeks to en-hance the experience of art byreinforcing the relationship between the buildingand the landscape that celebrates Florida’s rich anddiverse flora. Taking advantage of the Florida climate,the landscaping of the gardens incorporates nativetrees and flowers to provide shaded walkways,andan intimate setting for visitors to enjoy the artwork.

The landscape forms the backdrop of the museum’songoing education program for schoolchildren,encouraging a greater awareness of the collectionand Florida’s envi-ronmental heritage. The outdoorspaces provide a sustainable backdrop for displayin-gart providing a substantial increase in display areas.Corresponding to the canopies of the trees, largeoverhangs and shaded colonnades ensure that theintense sun light is kept out whilst the subtropicallight and lush views can still be enjoyed as partof the visitor experience.

The revitalization of the Norton is rooted inrevealing and enhancing the original spirit ofthe building.Over the years, the museum hadlost its sense of identity in the neigh-borhood.The entrance had been moved to a side road,and there was no presenceof a museum.The new design redefines the museum’srelationship with its surroundings by providing amain entrance on the original central axis, whilecreating new event and vis-itor spaces that willtransform the museum into the social heart ofthe community; as well as increasing the galleryand exhibition spaces, to engage with a wideraudience.”

南立面 South Elevation

剖面 Long Section