亚洲免费av电影一区二区三区,日韩爱爱视频,51精品视频一区二区三区,91视频爱爱,日韩欧美在线播放视频,中文字幕少妇AV,亚洲电影中文字幕,久久久久亚洲av成人网址,久久综合视频网站,国产在线不卡免费播放

        ?

        Art Worth Worshiping

        2020-04-29 00:00:00byKhamKelsangYeshe
        China Pictorial 2020年9期

        Thangka is a unique painting art and a religious instrument of Tibetan Buddhism. It captures the distinctive characteristics of Tibet’s rich religious tradition and regional artistic style. Thangka has long been treasured by Tibetan people. Its influence is even greater than that of local murals and sculptures. This painting art is widely used throughout Tibetan society. In every hall of monasteries in Tibetan areas, big and small, thangka paintings are a required component of Buddhist activities, favorites for display, and solemn tools for worship. They often become the representative treasures of temples with thousands of pieces. Thangka has been recognized as intangible cultural heritage by UNESCO.

        Most Tibetan people follow Tibetan Buddhism. Religious activities are a major part of Tibetan lives. Their traditional religious culture has been honed for ages and now dominates their daily lives on the plateau. The relationship between the history of Tibet and the spread of religious belief and culture is tight. Even thangka paintings that record Tibetan history, culture, and science feature strong religious and humanistic flavor. Tibetans inhabit a snowy land, and they tend to explain social life through beliefs and cultural concepts. The art of thangka has become a visualized encyclopedia and spiritual food shared by all Tibetans thanks to its wide-ranging cultural and aesthetic features.

        Truth, benevolence, and beauty represent the foundation of thangka art. Profound traditional Tibetan culture is a source of confidence among Tibetan people. The history of Tibetan art has its own clear definition, aesthetic connotations, and routes of development. In this regard, famous contemporary Tibetologist Tenzin Wangpo summed it up as excellent culture “based on the Bon culture, guided by Tibetan Buddhism, and absorbing the essence of cultures from surrounding areas.”

        The Bon culture is the central culture of indigenous Tibetans as it has been on the plateau since ancient times. The belief system is characterized by animism, nature worship, offering of sacrifices, and pursuit for a harmonious life. The Bon culture is all about achieving harmonious development between people and nature, between society and people, and between people. Its most important values are harmony and peace, which are central. Tibetans regard the Bon culture as a harmonious way of genuine living.

        Tibetan Buddhist culture is tightly related to Indian Buddhism, but Tibetans did not import the same Buddhism directly. Since Buddhism was introduced into Tibet, local masters have injected local traditional culture, religious beliefs, and Tibetan philosophies into the religion. Buddhist practices in Tibet kindled new understanding of Buddhism. Tibetans regard Tibetan Buddhist culture as a culture of wisdom and benevolence.

        Tibetan culture absorbed the essence of excellent cultures from adjacent areas and nations. It features openness and inclusiveness after continuously engaging in exchange with cultures from other areas. Tibetans regard their culture as an excellent culture of “beauty.” Traditional Tibetan culture has been hailed as a classic culture of truth, benevolence, and beauty, and thangka is seen as a vivid representation of those traits.

        Exquisite painting skills drive inheritance of thangka art. The art enjoys a lofty status as a sacred instrument for religious practices. It has been inherited in different ways including art craft academies in temples, masters, families, workshops, and official professional painting academies. Regardless of the method of inheritance, learners are taught cultural content, plastic art, and painting skills. Their artistic accomplishment is ultimately captured in the lines, forms, and colors of their works. Line modeling is the key skill of Tibetan thangka painting.

        Several themes seen in thangka paintings have greatly facilitated the spread of the art. Thangka paintings can cover topics from astronomy and geography to natural sciences and humanities. Potential subject matters are nearly wide open, and the practice has been hailed as an “encyclopedia of Tibetan traditional culture.” The spread of culture through thangka has been documented in Buddhist scriptures, Buddhist history, and Tibetan culture, teaching, rituals, and art.

        Thangka spreads Tibetan culture in the form of images. It recounts lives from different generations and expresses the unremitting spiritual pursuits and cultural inheritance of the Tibetan ethnic group. Thangka helps publicize the history of the Tibetan people and their scientific and technological knowledge. There is a type of thangka called “sman thang.” It is primarily used for spreading Tibetan medical knowledge, functioning similarly to diagrams used in Western medical schools. Well-known painter Lhozhag Tenzin Norbu painted 79 “sman thang” paintings which accurately depicted thousands of objects and outlined the basics of Tibetan medicine comprehensively and precisely. His works continue to play a major role in understanding and spreading Tibetan medical knowledge.

        亚洲av成熟国产一区二区| 久久青草国产精品一区| 男女肉粗暴进来120秒动态图| 精品国产免费久久久久久| 免费在线av一区二区| 伊人狼人大香线蕉手机视频| 国产亚洲精品久久午夜玫瑰园| 亚洲午夜无码av毛片久久| 日本欧美在线播放| 亚洲天堂免费成人av| 色婷婷色丁香久久婷婷| 亚洲亚洲人成综合丝袜图片 | 亚洲乱码日产精品bd在线观看| 欧洲亚洲色一区二区色99| 亚洲国产精品日韩av专区| 日日摸天天摸97狠狠婷婷| 激情亚洲一区国产精品| 日韩一区二区三区中文字幕| 色播视频在线观看麻豆| 欧美群妇大交群| 三男一女吃奶添下面| 亚洲精品美女自拍偷拍| 亚洲av综合av国一区二区三区 | 日韩人妻无码精品久久免费一 | 国产美女久久精品香蕉69| 最新国产成人在线网站| 快射视频网站在线观看| 国产综合精品一区二区三区| 久久国产36精品色熟妇| 精品日本韩国一区二区三区| 在线日本看片免费人成视久网| 在线不卡av片免费观看| 亚洲精品成人av一区二区| 国产人妖伦理视频在线观看| 少妇扒开毛茸茸的b自慰| 久久免费视频国产| 亚洲国产免费一区二区| 久久99精品久久久久久琪琪| 亚洲国产天堂一区二区三区| 国内精品人妻无码久久久影院94| 日本一区人妻蜜桃臀中文字幕|