項(xiàng)目地點(diǎn)：泰國(guó)清邁

建設(shè)單位：MAIIAM當(dāng)代藝術(shù)博物館

用地面積：3 700平方米

總建筑面積：3 330平方米

樓層數(shù)：2層

建筑設(shè)計(jì)：all(zone)

設(shè)計(jì)團(tuán)隊(duì)：Rachaporn Choochuey, Sorawit Klaimak,Asrin Sanguanwongwan, Aroonrod Supreeyaporn

協(xié)同設(shè)計(jì)：Sarin Nilsonthi

建筑施工：Urban Form

結(jié)構(gòu)工程師/水電工程師：Next Innovation

照明設(shè)計(jì)：Kris Manopimok

日光設(shè)計(jì)：Narongwit Areemit

景觀設(shè)計(jì)：Rachaniporn Tiempayotorn

設(shè)計(jì)時(shí)間：2015-2016年

竣工時(shí)間：2016年

攝影：Soopakorn Srisakul

Location: Sankampheng, Chiang Mai, Thailand

Client: MAIIAM Contemporary Art Museum

Site Area: 3 700 m2

Gross Built Area: 3 330 m2

Floor Numbers: 2

Architects: all(zone)

Design Team: Rachaporn Choochuey, Sorawit Klaimak,Asrin Sanguanwongwan, Aroonrod Supreeyaporn

Design Collaboration: Sarin Nilsonthi

Construction Company: Urban Form

Structural Engineer / Engineer (Water and Electricity): Next Innovation

Lighting Designer: Kris Manopimok

Daylight Designer: Narongwit Areemit

Landscape Architect: Rachaniporn Tiempayotorn

Design Year: 2015-2016

Completion Year: 2016

Photography: Soopakorn Srisakul

位于泰國(guó)最具文化氣息的城市之一清邁的MAIIAM當(dāng)代藝術(shù)博物館，作為泰國(guó)第一家當(dāng)代藝術(shù)博物館，旨在為泰國(guó)及該地區(qū)的藝術(shù)增光添彩。一個(gè)舊倉(cāng)庫(kù)被改造成一個(gè)藝術(shù)之家，一個(gè)安靜但便利的平臺(tái)，用于舉辦各種各樣的活動(dòng)，試圖保持地方的工業(yè)精神。藝術(shù)空間的自然光通過(guò)簡(jiǎn)單的當(dāng)?shù)夭牧虾蛷?fù)雜的計(jì)算來(lái)實(shí)現(xiàn)。前面的部分作為輔助設(shè)施添加到畫廊空間。沿著公路的主立面鋪上了數(shù)以百萬(wàn)計(jì)的微型裝飾鏡面瓷磚，這些瓷磚通常用在傳統(tǒng)泰國(guó)建筑中，并采用了新技術(shù)。鏡子有助于將建筑與周圍環(huán)境融為一體，反之亦然，表明建筑的意圖就像一張空白的畫布，為所有的藝術(shù)操作做好準(zhǔn)備。

Situated in one of the most cultural city of Thailand, Chiang Mai, MAIIAM Contemporary Art Museum aims to brighten up art scene in Thailand and the region as the first contemporary art museum in the country. An old warehouse is transformed into a house of art, a quiet but well-facilitated platform for wide range of activities, with an attempt to keep the industrial spirit of the place. Natural light for art space is achieved through simple local materials with sophisticated calculations. The front part is added as supporting facilities to the gallery space. The main facade along the highway is cladded with millions tiny decorative mirror tiles as of those commonly used in traditional Thai architecture with new techniques. The mirrors help to dissolve the building into the surroundings and vice versa,stating architecture’s intention as a blank canvas ready for all art operations.