建筑設(shè)計(jì)：索爾多·馬達(dá)萊諾建筑師事務(wù)所

1 鳥瞰/Aerial view

2 屋頂平面/Roof plan

墨西哥下加利福尼亞半島擁有絕美的自然風(fēng)光，赭石色的半沙漠景觀與深藍(lán)色的科爾特斯海相互映襯，為一個(gè)新的地標(biāo)性酒店的建設(shè)提供了理想的環(huán)境條件。

索拉茲洛斯卡波斯酒店沿地形構(gòu)造獨(dú)特的海岸而建，占地9.8hm2，酒店的設(shè)計(jì)將景觀、建筑與藝術(shù)完美結(jié)合。建筑形態(tài)呼應(yīng)波浪運(yùn)動(dòng)的有機(jī)形式，形成一系列與場(chǎng)地相適應(yīng)的引人注目的體量，從而實(shí)現(xiàn)建筑與周圍環(huán)境相融合的設(shè)計(jì)概念。材料的選擇、屋面種植及建造方式均經(jīng)過(guò)細(xì)致研究，以強(qiáng)化“融合”的概念，保證建筑能融入美麗的場(chǎng)地之中。

該項(xiàng)目旨在為墨西哥及全球的游客提供一系列休閑住宿的選擇，項(xiàng)目包括酒店、公寓、餐廳、水療中心、休閑娛樂設(shè)施、博物館、露天廣場(chǎng)等多種功能。

3 外景/Exterior view

場(chǎng)地的自然地形十分陡峭，從海平面向北逐漸抬升，因此建筑師設(shè)計(jì)了3 段東西向延伸的弧形平臺(tái)，并將酒店客房設(shè)置于西側(cè)。平臺(tái)之間由狹長(zhǎng)的通道相連，通道內(nèi)植被茂盛，不僅分隔了不同的功能區(qū)，也保證了良好的私密性。

各層平臺(tái)沿著地形的坡度逐級(jí)抬升，朝南的立面保證所有房間均能享受到壯美的海景。酒店的游泳池、海灘俱樂部、日光浴區(qū)等娛樂設(shè)施均設(shè)在緊鄰海灘的底層平臺(tái)。

酒店入口位于主樓之中。主樓由3 個(gè)體塊堆疊而成，其形式呈現(xiàn)有機(jī)的動(dòng)態(tài)感與流動(dòng)性。主樓的3 個(gè)體量各含兩層空間，一共6 層的建筑內(nèi)設(shè)有多間酒店客房。建筑的體量同樣考慮到與場(chǎng)地環(huán)境相融合的設(shè)計(jì)概念，體量的錯(cuò)動(dòng)使建筑具有獨(dú)特造型的同時(shí)，也實(shí)現(xiàn)了更好的景觀視野。

酒店運(yùn)營(yíng)的公寓為3 棟方形體量的建筑，分布于場(chǎng)地的南側(cè)。

酒店的客房、套間等不同類型的房間仿佛從地形中生長(zhǎng)而出，與沙灘和諧相融。庭院式的前廳指引人們到達(dá)房間，同時(shí)也將酒店外的起伏地形與酒店內(nèi)的愜意環(huán)境相連。

每個(gè)房間內(nèi)，熱帶木材和帶有鮮艷的墨西哥色彩的紡織品營(yíng)造出溫馨的氛圍，條形紋路的石材則賦予房間一種獨(dú)特的現(xiàn)代美感。

索拉茲洛斯卡波斯酒店的核心概念之一就是眾多空間中的藝術(shù)介入。酒店展出了墨西哥藝術(shù)家塞薩爾·洛佩茲·內(nèi)格雷特創(chuàng)作的超過(guò)400 件藝術(shù)品，它們是對(duì)下加利福尼亞的遠(yuǎn)古生活與文化的紀(jì)念。他的藝術(shù)觀念與建筑的細(xì)節(jié)相互映襯，從小尺度的酒店房間到大尺度的露天廣場(chǎng)和公共空間，藝術(shù)品都與建筑的空間和場(chǎng)地完美融合。

索拉茲洛斯卡波斯酒店的獨(dú)特之處得益于建筑與景觀的融合，項(xiàng)目的景觀設(shè)計(jì)由建筑團(tuán)隊(duì)與Gabayet 101 Paisaje 合作完成，根據(jù)景觀設(shè)計(jì)和空間用途選擇植物，并用當(dāng)?shù)氐闹参锓N類作為補(bǔ)充。通過(guò)這種方式，無(wú)論是在室外步道、通廊、室外露天設(shè)施、前廳、餐廳，還是在向著海面逐級(jí)跌落的種植屋面上，建筑與景觀都達(dá)到了有機(jī)融合的狀態(tài)。這些景觀區(qū)域試圖模仿本地植被與其獨(dú)特的自然環(huán)境相融合的特性。

采用現(xiàn)代的墨西哥設(shè)計(jì)風(fēng)格、將建筑與景觀有機(jī)融合并用藝術(shù)貫穿整個(gè)項(xiàng)目的索拉茲洛斯卡波斯酒店，旨在成為全球酒店行業(yè)的下一個(gè)典范?！酰缸繝?譯）

4 局部/Detailed view

5.6 外景/Exterior view

7 鳥瞰/Aerial view

8 平面/General layout

The extraordinary natural surroundings of the peninsula of Baja California with its semi-desert landscape in shades of ochre, in contrast to the deep blue of the Sea of Cortes, provides an ideal selected context for the construction of a new landmark hotel for the country.

Celebrating the integration between landscape,architecture and art, Solaz Los Cabos covers a total area of 9.8 hectares along a section of the coast that includes unique topographical formations. The architectural concept was guided by this need for the proper integration of the construction into its surroundings,achieved through the use of organic forms that refer to the movement of the waves, producing an attractive series of volumes that are adapted to the location.The selection of materials, planting and construction methods reinforce this concept of integration, and were meticulously studied to ensure fit for this beautiful site.

The services provided by the development are designed to offer a range of accommodation and hospitality options to visitors from both Mexico and abroad. It comprises hotel, apartments, restaurants,spa, amenities, site museum, open plazas and more.

As a result of the natural steep topography of the site, which climbs up from sea level towards north,it was decided to form three large curved terraces running east-west, and to place the hotel rooms at the western end. The circulation between these terraces is via narrow cuttings that also operate as dividing passageways with dense planting to separate the different functions, generating greater privacy.

Given the slope, the three terraces cascaded from above, with south-facing fa?ades meaning that all the spaces enjoy spectacular views of the sea. The amenities including swimming pools, beach club, sun loungers are located on the lowest level, by the beach.

The access level is located within the principal building. This construction, which displays a great plasticity of form and organic movement, resembles three blocks stacked on top of each other. Each block contains two floors to give a total of six and contains hotel rooms inside. The volumetric form of this building combines the same concept of integration into the surroundings while its movement permits the generation of better views, affording the development with a unique tectonic character.

The apartments operated by the hotel are three volumes of square proportions distributed along the length of the south side of the site.

The different typologies of this hotel's suites and rooms emerge from the topography that merges harmoniously with the sandy beach. To reach them, a courtyard-lobby serves as both entryway and bridge between the topographic undulations of the exterior and the welcoming geometry of the interior.

A warm atmosphere created using tropical wood,textiles with fresh, Mexican colours, and lines marked out in stone generate a distinctive contemporary aesthetic in every room.

One of the conceptual pillars of Solaz los Cabos is the artistic intervention in many of the spaces. Here,Mexican artist Cesar López Negrete creates and exhibits over 400 works of art that commemorate the life and culture of Baja California in ancient times. His artistic vision complements all details of the construction, on both the micro level (hotel rooms) and the macro level(open plazas and common spaces), in the appropriation of the space and the integration with the site.

The presence of Solaz in Los Cabos is notable thanks to the way the architecture is woven into an integrated landscape project, created in partnership with Gabayet 101 Paisaje. The palette of plants was complemented with further native species according to the landscape design and the intention of each space. In this way, the architecture and landscaping harmonise with the external walkways, passages,outdoor amenities, lobbies, restaurants, green roofs on the volumes that descend to the sea, and so on. These landscaped areas seek to imitate the local vegetation and its unique natural setting.

With its contemporary Mexican design, its proper integration into the landscape, and the sum of an integral art project, this hotel is expected to be the next icon in the international hospitality industry.□

項(xiàng)目信息/Credits and Data

地點(diǎn)/Location: San José del Cabo, Baja California Sur, Mexico

建筑設(shè)計(jì)/Architects: Sordo Madaleno Arquitectos

主持建筑師/President: Javier Sordo Madaleno Bringas

總建筑師/Architecture Leader: Javier Sordo Madaleno de Haro

項(xiàng)目總監(jiān)/Project Leader: Alejandro Coeto, Boris Pena

設(shè)計(jì)管理/Design Manager: Alejandro Espejel, Cándido Hernández, Luis Pucheta

設(shè)計(jì)團(tuán)隊(duì)/Design Team: Iovany Fuentes, David Pazos, Miguel Baranda, Marco Pucheta, Santiago García de Letona, Giordana Rojas, Daniela Camarena, Carlos Nu?ez, Francisco Barrera

工程協(xié)調(diào)/Engineering Coordination: Marcos Hernández

工程團(tuán)隊(duì)/Engineering Team: Héctor Ruiz

傳媒及市場(chǎng)營(yíng)銷/Media & Marketing: Rosalba Rojas,Daniela Cruz, Jimena Orva?anos, Daniela Rosas, Angélica Chávez, Lorena Moreno

室內(nèi)設(shè)計(jì)/Interior Design: Sordo Madaleno Arquitectos

室內(nèi)總監(jiān)/Interior Directors: Nadia Borrás, Enrique Ralph

室內(nèi)設(shè)計(jì)團(tuán)隊(duì)/Interior Team: Guillermo Márquez, Greg Leiner, Pilar Ocejo, Gabriela Mondragón, Andoni Barcón,Héctor Galaz, Maripaz Coto, Melissa Pe?a, Rossy León, Luz Edith Osuna, Keshin Fuhrmann, Ingrid Flores, Fernanda Pati?o, Regina Jarque, Alejandro Gómez-Moncada, Marcia Mejía, Miguel Galindo, Cristina Ramos, Alejandra Angeles

結(jié)構(gòu)工程/Structural Engineering: Ing. Jaime Palacios

電氣工程/Electric Engineering: Cien Acres

空調(diào)工程/Air Conditioning Engineering: DYPRO

系統(tǒng)及特殊工程/Systems & Special Engineering:Innovative Design

水力衛(wèi)生工程/Hydrosanitary Engineering: Termo Aire Consultores Mecánicos

水處理設(shè)備工程/Water Treatment Plant Engineering:Hidro Ecología Especialistas en Tratamiento de Agua

消防工程/Fire Safety Engineering: Viza Fire

照明顧問/Lighting Consultant: Luz y Forma

聲學(xué)顧問/Acustic Consultant: Omar Saad

視聽顧問/AV Consultant: Innovative Design

景觀顧問/Landscape Consultant: Gabayet Paisajistas

消防顧問/Fire Safety Consultant: Bice Vertical

施工/Construction: Quinta del Golfo de Cortés S.A. de C.V.

功能/Program: 酒店/Hotel

建筑面積/Construction Area: 150,000m2

占地面積/Terrain Area: 135,000m2

建成時(shí)間/Completion Time: 2018

繪圖/Drawings Credit: ?Sordo Madaleno Arquitectos

攝影/Photos: Rafael Gamo

9 剖面/Section

10-12 實(shí)景/Interior and exterior views

13 公寓標(biāo)準(zhǔn)平面/Apartment typical plan

14 總統(tǒng)套房平面/Presidential Suite plan

評(píng)論

王晨：建筑面積15萬(wàn)m2的索拉茲洛斯卡波斯酒店背靠荒漠，面朝大海，張開了建筑師的生命之眸，融入了當(dāng)?shù)氐淖匀划嬀?，令人想起彼得·卒姆托設(shè)計(jì)的瑞士瓦爾斯溫泉浴場(chǎng)——和諧、安寧。在與自然密語(yǔ)的空間里，公共藝術(shù)品和客房的藝術(shù)裝置洋溢著人文的光芒和現(xiàn)代的氣息。建筑的材料選擇、色調(diào)包括景觀的處理、氛圍的營(yíng)造，以及基于當(dāng)?shù)貧夂蛞约暗貏?shì)的功能性設(shè)計(jì)高度統(tǒng)一，體現(xiàn)了建筑師的溝通、掌控和執(zhí)行能力。

范路：索拉茲洛斯卡波斯酒店是一個(gè)注重與場(chǎng)地融合的項(xiàng)目。酒店位于山海之間、景色優(yōu)美的坡地上。酒店與場(chǎng)地的融合是多方位的：呼應(yīng)波浪運(yùn)動(dòng)的有機(jī)形式，一系列與場(chǎng)地相適應(yīng)的體量處理，多條通向大海的通廊，精心的建構(gòu)設(shè)計(jì)和綠植設(shè)置，以及節(jié)點(diǎn)空間的藝術(shù)介入。這些處理讓酒店在各個(gè)空間尺度都呈現(xiàn)了很高的設(shè)計(jì)品質(zhì)。不過(guò)稍顯不足的是，在地塊南北兩端，建筑與周邊環(huán)境的過(guò)渡稍顯生硬。

15 外景/Exterior view

Comments

WANG Chen: Sitting in front of the desert, and facing the ocean, Solaz Los Cabos, is like the opening eyes of a living force from the heart of the architects. With a floor area of 150 thousand square metres, the hotel blends into the local natural picture. It reminds me of the Therme Vals in Switzerland designed by Peter Zumthor, the same harmony and peace. The spaces interact with nature. Public artworks and artistic installations bring cultural and modern aroma into their surroundings. The selection of materials and tones, the treatment of landscapes and creation of atmosphere, the functional design based on the local climate and topography, are all highly integrated,revealing the architect's communication skills, control power and implementation capacities. (Translated by WANG Xinxin)

FAN Lu: The main design feature of the Solaz Los Cabos hotel is to reinforce the integration of architecture and landscape. The hotel situates on a slope between mountain and sea with a magnificent scenery. The integrative design strategy is multi-dimensional: to use organic building forms that refer to the movement of the waves, to produce an attractive series of volumes that are adapted to the location, to create several outdoor landscape corridors that leads to the coastline and separate long building volumes, to do tectonic design and greening arrangement elaborately, and to make artistic intervention in many of the spaces. Then hotel space is presented with high design quality at different scales. While there is something slightly insufficient that the architectural transition between build complex and surrounding environment at both south and north ends of the site is a bit stiff.