傅查新昌
Zhao Yings works in ballet theme focused on the vividness of the visual images rather than other popular modern themes. Zhao Ying captured the passionate moment and sexy gestures of ballet dancers, and reproduced them in his oil paintings, adding a depiction about stage plot and a touch of symbolic meaning.
Zhao Ying was famous for his paintings of beautiful women, especially beautiful city ladies. In his works, he revealed the life of modern city women and their relationship with the world surrounding them. In fact, many of his works showed a lasting attention to the modern spirit. His works often bear a sense of straightforwardness, and usually were bright and full of happiness, which echoed with Zhaos character. His works came from his pursuit of primitive beauty and eventually became his characteristic practices of mind and heart.
在當(dāng)今這個(gè)多元的時(shí)代,趙鷹覺(jué)得追求視覺(jué)形象的生動(dòng)真實(shí)或許比玩世、戲擬、反諷、對(duì)抗、圖說(shuō)的主題情節(jié)更為重要。他選擇芭蕾舞臺(tái),通過(guò)捕捉練功房里演員瞬間的姿態(tài),遵循既成的善與美,創(chuàng)作出激情、性感的芭蕾舞者群象;手法時(shí)尚而本真,很享受地把芭蕾舞者的精神實(shí)相重新復(fù)現(xiàn)在一種陰柔可愛(ài)但卻激情絢爛的光輝之中。毋庸諱言,趙鷹熱衷的芭蕾舞主題繪畫(huà)創(chuàng)作的藝術(shù)靈感,源于用芭蕾舞者心態(tài)演繹時(shí)代主題內(nèi)容的藝術(shù)天賦。他的油畫(huà)作品不僅注重舞臺(tái)情節(jié)的描述、主題內(nèi)涵的表達(dá)和象征寓意的挖掘,而且還探索對(duì)于表現(xiàn)對(duì)象本身視覺(jué)真實(shí)性的生動(dòng)展現(xiàn)。
從《足尖·精靈》《足尖·斑斕》《足尖·爵士帽》《足尖·糾葛》和《足尖·疲》等作品最基本的創(chuàng)作動(dòng)機(jī)中,可以讀出趙鷹對(duì)舞臺(tái)人生的真切感悟和珍惜,以及對(duì)生命的熱愛(ài)。作為一名男性畫(huà)家,趙鷹用映照內(nèi)心的抒情語(yǔ)言,出于一種好玩之性,以描繪各種女性姿態(tài)、明朗的女性世界內(nèi)在結(jié)構(gòu)關(guān)系為統(tǒng)攝,縷析出都市麗人生態(tài)圈的主題輪廓和基本脈絡(luò),從而把偶然、美好、神奇的人性變奏與不連貫的人生游戲推至美學(xué)領(lǐng)域,幾乎到了唯美的邊緣。這足以表明在當(dāng)代油畫(huà)藝術(shù)界,趙鷹是一位不倦的探索者。實(shí)際上,趙鷹的諸多作品都充斥著對(duì)現(xiàn)代精神的持久關(guān)注,因而吸引了收藏家們的廣泛關(guān)注。在他的繪畫(huà)創(chuàng)作過(guò)程中經(jīng)常表現(xiàn)出一種直率性,使很多觀者不由自主地產(chǎn)生收藏的欲望。不難發(fā)現(xiàn),趙鷹喜歡表現(xiàn)女性世界的陰柔之美,他的油畫(huà)以善于描繪美女形象著稱。在人物的形色處理方面,他追求一種速寫(xiě)式的審美快感,表現(xiàn)美女柔美鮮活的神情與動(dòng)作。趙鷹的作品畫(huà)面油色非常薄透,形色也盡量減少反復(fù)塑造,灑脫暢快的筆性特征被充分調(diào)動(dòng)出來(lái),在形色的塑造中顯現(xiàn)出心性直抒的隨意與靈動(dòng)。這種速寫(xiě)式的油畫(huà)語(yǔ)言跟他追求現(xiàn)場(chǎng)的形象張力融為一體,是他所追求的原生態(tài)美感的體現(xiàn)。盡管這種“心靈在場(chǎng)”的速寫(xiě)式油畫(huà)語(yǔ)言還有待進(jìn)一步提煉與升華,現(xiàn)場(chǎng)的原生再現(xiàn)尚可處理得更精微與深入,但趙鷹對(duì)原生態(tài)美感的審美追求,的確在當(dāng)下過(guò)度修飾、過(guò)度設(shè)計(jì)的藝術(shù)創(chuàng)作中起到某種糾偏作用。畢竟他找到了表現(xiàn)真實(shí)的良途,而且這種創(chuàng)作經(jīng)驗(yàn)又是如此能夠揭示陰柔之美的真實(shí)狀態(tài)。
在趙鷹舞臺(tái)人生題材的作品里,并沒(méi)有圖說(shuō)事件、情節(jié)、主題,而是從形象塑造的本體出發(fā),讓形象的真實(shí)生動(dòng)替代情節(jié)性的描述。他的關(guān)注點(diǎn)在于捕捉芭蕾舞者自身在隨機(jī)與偶然中呈現(xiàn)出來(lái)的生命本真狀態(tài)。在這些油畫(huà)作品中,能讀到趙鷹油畫(huà)創(chuàng)作的審美宗旨,即始終沒(méi)有拋棄對(duì)造型的準(zhǔn)確性、構(gòu)圖的嚴(yán)謹(jǐn)性、色調(diào)的和諧性的刻意追求。除此之外,他有時(shí)候也任憑形式、色彩、筆觸、空間從繪畫(huà)主題中自由生發(fā),進(jìn)入真正的自由創(chuàng)作狀態(tài)?;蛘吒_切地說(shuō),這時(shí)候他的舞臺(tái)人生主題表達(dá)退到次要位置,生命本能中的某些原始因素在形式的探索中凸顯出來(lái),其根源在于自我的回歸。這個(gè)自我既是精神層面的,也是現(xiàn)實(shí)生活層面的,其背后的驅(qū)動(dòng)力是他個(gè)人獨(dú)特的生命記憶和情感經(jīng)驗(yàn)。
在這種文化語(yǔ)境中,趙鷹的藝術(shù)表達(dá)充斥著抒情、贊美、輕松的審美所指,這很符合他的天性——奔放、開(kāi)朗、自由、激情并富于想象與理想,崇尚陽(yáng)光、幸福感,并始終對(duì)女性形象秉承一種好奇與好玩的心態(tài),這也是他的藝術(shù)令人印象深刻的原因。顯然,趙鷹對(duì)繪畫(huà)創(chuàng)作做了一次跨界的實(shí)驗(yàn)性探索,并無(wú)以往的任何藝術(shù)流派作基礎(chǔ),全靠獨(dú)立而自發(fā)的心性體驗(yàn),進(jìn)行著心靈在場(chǎng)的藝術(shù)實(shí)踐。
Zhao Ying was a member of China Artists Association, councilor of Liaoning Artists Association, Deputy Chairman of Anshan Artists Association, Deputy President of Anshan Oil Painting Academy.
Representative work: oil painting Rouge
Exhibition experience:
1995 Held personal oil painting exhibition in Seoul on invitation
1998 Oil paintings A Mirror In the Rehearsal Room, The Summer Solstice were selected for the 13th New Exhibition of China Artists Association
1999 Oil paintings Sunniness, gouache painting Fragrant Cloud were selected for the 9th National Fine Arts Exhibition
1999 Participating in the creation of large panorama Battle of the Red Cliff which won the golden award in the 10th National Fine Arts Exhibition
2001 Oil painting Lady in the Fashion Shop was selected for the Chinese Oil Painting Exhibition
2005 Oil painting Latin, Latin was selected for the 6th National Sports Art Exhibition
2006 Oil painting Fashion Magazine was selected for the “Landscape & Style” National Small Oil Painting Exhibition
2007 Oil painting The View of the Backstage was selected for the 14th National Art Stars Award - Painting, Calligraphy, and Photography Exhibition
2009 Propylene works Blazing Sun was selected for the 7th National Sports Art Exhibition
2011 Oil painting Early Spring and Early Autumn was selected for the “Sublimity outside of the Great Wall - My Land My People” China Oil Painting Exhibition
Many of his oil painting works were collected by domestic and German, Korean, American, Indonesian, and Singaporean collectors and organizations.
趙鷹,中國(guó)美術(shù)家協(xié)會(huì)會(huì)員、遼寧省美術(shù)家協(xié)會(huì)理事、鞍山市美術(shù)家協(xié)會(huì)副主席、鞍山市油畫(huà)學(xué)會(huì)副會(huì)長(zhǎng)。
主要代表作品:油畫(huà)作品《嫣紅》
主要?jiǎng)?chuàng)作參展經(jīng)歷:
1995年應(yīng)邀赴韓國(guó)漢城(首爾)舉辦個(gè)人油畫(huà)展
1998年油畫(huà)作品《排練廳里的鏡子》《夏至》參加中國(guó)美協(xié)第十三屆新人新作展
1999年油畫(huà)作品《陽(yáng)光充足》、水粉畫(huà)作品《云亦芬芳》參加第九屆全國(guó)美展
1999年參加第十屆全國(guó)美展金獎(jiǎng)作品大型全景畫(huà)《赤壁之戰(zhàn)》的創(chuàng)作
2001年油畫(huà)作品《時(shí)裝店女客》參加中國(guó)油畫(huà)大展
2005年油畫(huà)作品《拉丁·拉丁》參加第六屆全國(guó)體育美展
2006年油畫(huà)作品《時(shí)尚雜志》參加“風(fēng)景·風(fēng)情”全國(guó)小幅油畫(huà)展
2007年油畫(huà)作品《后臺(tái)的風(fēng)景》參加全國(guó)第十四屆群星獎(jiǎng)美術(shù)書(shū)法攝影作品展
2009年丙烯作品《驕陽(yáng)》參加第七屆全國(guó)體育美展
2011年油畫(huà)作品《二八月》參加“化境長(zhǎng)城外·吾土吾民”中國(guó)油畫(huà)邀請(qǐng)展
多幅油畫(huà)作品分別被德國(guó)、韓國(guó)、美國(guó)、印尼、新加坡及國(guó)內(nèi)收藏家及收藏機(jī)構(gòu)收藏。
世界知識(shí)畫(huà)報(bào)·藝術(shù)視界2019年8期