建筑設(shè)計(jì)：凱雷建筑事務(wù)所

1 外景/Exterior view

2 鳥瞰/Aerial view

作為與已故的克里斯托夫·斯徹靈格杰夫合作完成的村中劇院項(xiàng)目的重要組成部分，社會(huì)福利與健康中心旨在為隆果及周邊地區(qū)的當(dāng)?shù)鼐用裉峁┗镜男l(wèi)生和醫(yī)療資源。圍繞著中央等候區(qū)，該中心設(shè)置有牙科、婦產(chǎn)科與綜合內(nèi)科3個(gè)區(qū)域。內(nèi)部設(shè)有檢查室、住院部及工作人員的辦公室?？紤]到前來的探訪者和病人家屬，特意設(shè)置了幾個(gè)陰涼的庭院，他們可以在此聚集等待。

充滿趣味的開窗設(shè)計(jì)出現(xiàn)在不同的位置，站著、坐著、臥床的人們包括兒童都能看到。窗戶像靜置的相框一樣，在景觀中框取了各不相同的風(fēng)景。

為與村中劇院的材料美學(xué)與生態(tài)保持一致，項(xiàng)目選用當(dāng)?shù)卣惩梁图t土石砌成了雙層護(hù)墻，作為防雨之用。因蒸騰作用會(huì)造成土壤沙化，因此被視為對(duì)環(huán)境不利材料的當(dāng)?shù)罔衲?，則被局部用于屋頂和有頂棚的走道。（天妮 譯）

項(xiàng)目信息/Credits and Data

客戶/Client: Festspielhaus Afrika

業(yè)主/Owner: Festspielhaus Afrika

設(shè)計(jì)團(tuán)隊(duì)/Design Team: Diébédo Francis Kéré, Ines Bergdolt, Emmanuel Dorsaz, Jin Gul David Jun, Pedro Montero Gosalbez, Dominique Mayer

施工監(jiān)管/Construction Supervision: Kéré Architecture

總承包商/General Contractors: Gruenhelme e.V.Association Dolai總建筑面積/Gross Square Footage: 1340 m2

繪圖/Drawings: Kéré Architecture

攝影/Photos: Erik-Jan Ouwerkerk (fig. 1,8,10,11), Kéré Architecture (fig. 3,4,7,9), Daniel Schwartz (fig. 2)

3 外景/Exterior view

4 窗/Window

As an important component of the Village Opera project produced in conjunction with the late Christoph Schlingensief, the Centre for Health and Social Welfare is geared towards providing basic health and medical resources for the local population in Laongo and the surrounding areas. The centre consists of three units organised around a central waiting area: dentistry, gynecology and obstetrics, and general medicine. The facility is rendered with examination rooms, inpatient wards, and staff offices. Special consideration is taken for visitors and family of patients with several shaded courtyards for gathering and waiting.

The playful fenestration design emerged from the varying vantage points of standing, seated,or bedridden individuals including children. The windows are composed like picture frames, with each individual view focused on a unique part of the landscape.

In keeping with the material aesthetic and ecology of the Village Opera, local clay and laterite stone where used in the double-envelope construction of the walls for extra rain protection.Locally available eucalyptus wood, seen as an environmental nuisance as it contributes to desertification, is used to line the suspended ceilings and covered walkways of the centre.

5 平面/Plan

6 剖面/Section

7 內(nèi)景/Interior view

評(píng)論

宋曄皓：建筑主體具有一種融合在當(dāng)?shù)丨h(huán)境中，并保持了自己獨(dú)特風(fēng)格的特點(diǎn)。所謂融合于當(dāng)?shù)丨h(huán)境，跟建筑采用的材料有密切的關(guān)系，不論取材還是色彩和肌理等，均沒有違和感。而自己獨(dú)特的風(fēng)格，則更多體現(xiàn)在建筑圍合界面的封閉和人工刻意而為的貌似隨意的起著鏡框作用的洞口。圍合界面的封閉非常容易理解，這是適應(yīng)氣候的表現(xiàn)，并有助于創(chuàng)造更為舒適的微氣候。如果封閉是一種首選，那么設(shè)計(jì)的問題集中在如何引入自然光線，以及如何滿足視線的需求?？瓷先ルS意的窗洞既為此而生，并為室內(nèi)的人們欣賞室外的風(fēng)景，提供了適應(yīng)不同高度和有不同取景的多種可能性。其實(shí)從室內(nèi)看，各個(gè)窗洞口透露出來的均是完整自然環(huán)境的一個(gè)小小的片段，這些片段的整體構(gòu)成了一幅現(xiàn)代藝術(shù)作品。

張宇峰：充滿趣味的開窗蘊(yùn)含著豐富解讀空間：外窗左右高低的靈活排布，在滿足不同人視野需求的同時(shí)，也為室內(nèi)采光提供多種可能；散開的小窗都自帶遮陽功能，外側(cè)框架結(jié)合了水平和垂直兩種遮陽，內(nèi)側(cè)開關(guān)則可進(jìn)一步減少陽光熱量的進(jìn)入；作為通風(fēng)口，凹入式窗框設(shè)計(jì)有助于引導(dǎo)和促進(jìn)通風(fēng)，與陰涼庭院和坡屋頂一起，共同形成了有效通風(fēng)路徑。在尊重當(dāng)?shù)厣鷳B(tài)、文化的前提下，為低收入人群提供經(jīng)濟(jì)可行的適應(yīng)當(dāng)?shù)責(zé)釒夂虻脑O(shè)計(jì)方案，是其重要的設(shè)計(jì)線索和特征。

8 內(nèi)景/Interior views

9 內(nèi)景/Interior views

Comments

SONG Yehao:The building has a feature that it could blend in the local environment while maintain its unique style. The integration into the local environment is closely related to the material it used. There is no discord with the environment, whether it is the material, the colour or the texture. And in term of its unique style, the enclosed surface and the deliberately random fenestration - which serves as frames - are very impressive. It is obviously that the enclosed surface is a climate-adapting method, which contributes to a more comfortable microclimate. Since the enclosed form is chosen, the design focuses on how to introduce natural light into the interior and how to organise various views. Therefore, the seemingly random holes are created to provide better views from the interior, with different sights for various heights and framings. In fact,when looking out from the inside, each window opening reveals a small fragment of the natural environment and all the fragments fit together into a work of modern art. (Translated by QI Yiyi)

10 內(nèi)景/Interior views

11 窗細(xì)部/Window of detail

ZHANG Yufeng:The playful windows contain enriched interpretation spaces: the left-right and up-down flexible arrangement of windows provides a variety of possibilities for indoor daylighting as well as meeting the various types of visual needs; the scattered small windows all have their own shadings, in which the outer frame combines the horizontal and vertical shadings, and the inner switch can further reduce the entry of sunlight heat; as a vent, the concave frame design guides and promotes airflow, and forms effective ventilation paths together with the cool courtyard and sloping roof. It is a key design clue and characteristic to provide an economically feasible design scheme for low-income people to adapt to the local tropical climate on the premise of respecting local ecology and culture.