Li Cuizhens traditional Chinese paintings seem to be"reproducing" realistic painting on the surface, however, her works are concentrated expression of her strong personality. She integrates the perceptual form of natural Chinese paintings with the "Dao" as a whole, so that the shape of the material object is filled with vitality and full of a sense of"fun and spirit", achieving its pursuit of the aesthetic value of traditional Chinese landscape painting.
著名評論家許恩來曾說:李翠珍的中國畫,似在經(jīng)意不經(jīng)意之間,都在遵循著這一映涵關系的原則,而且在進行極致的追求。表面看來她的中國畫似乎仍是“再現(xiàn)”型的寫實繪畫,其實不然,實則是“再現(xiàn)”之中濃縮著強烈的個性表現(xiàn)力,她把自然中國畫的感性形態(tài)(即宗炳所謂的質有)和“道”完全作為一個交融一體的存在,使客觀物質對象的形在畫幅之中充滿了生機、飽蘊著“趣靈”感,實現(xiàn)了其對傳統(tǒng)中國山水畫審美價值的追求。其筆墨技巧嫻熟,構圖有膽有勢,心手相應,意到筆到,氣脈貫通生機勃勃,永遠充滿生命力,達到了心中有畫,畫中有魂的境界!
Born in 1963 in Heze city of East Chinas Shandong province, Li Cuizhen with pen names as Dongfang Wenmo, Lantian and Yinjuan, now is the Dean of Songzhuang International Academy of Calligraphy and Painting, and a member of Hong Kong Literati and Artists Association.
Ms. Li has persisted in studying calligraphy and fine arts for over three decades, and conducted in-depth research on the painting styles of older generations of traditional Chinese painting masters, such as Li Keran, Zhang Daqian, Qi Baishi, etc., forming her personal painting style that perfectly fuses the tradition and the modern. Her works have been displayed at domestic and overseas exhibitions and collected by wellknown institutions like Oxford University and individuals.
李翠珍(東方文墨,曾用筆名藍田、印卷),女,1963年生于山東菏澤。宋莊國際書畫院院長,香港文聯(lián)美術家協(xié)會會員。
堅持書法、美術學習與創(chuàng)作30多年。書法師承王羲之、趙孟頫、文徵明行書之意,并對毛體情有獨鐘,對歐陽中石、武中奇等老一輩書法大師書體進行了學習和研究;國畫師承古人范寬、李成、石濤等,對李可染、張大千、齊白石等老一輩國畫大師的繪畫風格進行了深入的學習和研究;并對恩師石齊先生的新中國畫“點自家燈火”的繪畫理念進行了詮釋。在繼承傳統(tǒng)筆墨語言的基礎上不斷創(chuàng)新,獨創(chuàng)了“積墨疊彩”的技法,形成傳統(tǒng)與現(xiàn)代完美融合的新中國畫畫風。
2015年,應邀參加“中國夢 環(huán)球行”歐洲演講團大型文化交流活動,作品被牛津大學、劍橋大學等單位及個人收藏。
2014年,應邀參加“馬中友誼 福澤萬民”大型書畫交流展,作品被中國駐馬來西亞大使館等單位及個人收藏。
2014年,參加“中國夢.丹青頌”中國書畫名家赴馬來西作品邀請展,作品被馬來西亞東方藝術機構等單位及個人收藏。
2013年,參加中華國粹書畫藝術巡展,赴臺灣進行書畫藝術交流,作品分別在中國臺灣、美國、韓國展出,作品被有關單位及個人收藏。
2010年,應邀參加首屆中國書畫百幅作品香港展,作品被有關單位及個人收藏。(責編 寧文英)