Ecological Reconstruction of Media Industry Boosted by Artificial Intelligence Chen Xiaohong ( 2 )

New Opportunities，New Challenges and New Strategies New Thinking on the Development of Chinese Drama and Film Studies in the Context of“Double First Class” Hu Zhifeng ( 7 )

The Symphony of Multiculturalism and the Age of Artistic Innovation The Aesthetic Reconstruction and Cultural Change of Chinese Films in the Past Forty Years of Reform and Opening－up Chen Xuguang ( 11)

Enhancing Aesthetic Quality in Pluralistic Development———The creation and development of Domestic Genre Films since Reform and Opening up Zhou Bin ( 20)

Concept and Form: Returning to the Chinese Movie Scene at the Early Stage of Reform and Opening up Chen Yang ＆ Fang Siyu ( 27)

Reform and Opening up: History of Performing Concept in Film Director Li Zhenlin ( 32)

Understanding Deepening and Regular Guidance———The Study of the Main Theme of the 40 Years of Reform and Opening up Wang Haizhou ＆ Zhan Yuanyuan ( 37)

An Analysis of the Narrative Nature of Network Literature and Art Xiong Wenquan ＆ Zhang Jing ( 42)

On the Aesthetic Appreciation of InternetLiterature and Art Zhao Ying ( 48)

An Analysis of the Success of Internet Literature Remake TV Series Li Heng ( 52)

International Communication in a New Era Jiang Heping ( 56)

Saving Newspapers: Key Issues and Possible Solution———Basing on the Experience of Europe and America Wang Chenyao ( 66)

Research on News Framework of Consumer Rights Protection Report———Taking the Programme 3． 15 of China National Radio as an Example Han Xueying ＆ Yi Jiantao ( 71)

Current Situation and Academic Conception of the Research on Mobile Publishing Value Chain Research Wang Pengtao ＆ Li Menglian ( 77)

Evolution of World History Theory and Historical View since Twentieth Century Gao Xinfan ( 83)

From Critique of Political Economy to Criticism of Aesthetic Culturology———Marx，Simmel and the Frankfurt School Yang Xiangrong ( 87)

A Research on Woman’s Appearance on stage in Beijing Theatrical Circles of Late Qing and Early Republic of China Liu Xiaozhen ( 95)

Music Expression，Inheritance and Protection of Drum Music in Film Art———Basing on Yongkang Drum Music in the Movie“the Ideal of Wang Liang” Li Fu ( 101)

A Study of the Difference between the Subject of Collective Memory and the Movie and TV Audience———Take Stalingrad Film as an Example． Dai Songnan ( 107)

The Innovation and Development of China Animation Festival from Hangzhou Animation Festival Pan Jian ( 114)

A Review and Discovery of the Spirit of Fairy Tales in Contemporary Animated Films Xu Zhouchi ( 119)

The End and Return of Fairy Tales Summary of Domestic Animation Film Creation in 2017 Fang Jingfeng ＆ Yang Xiaolin ( 124)