建筑設(shè)計(jì)：馮崇利，張昕，溫留漢·黑沙/故宮博物院，清華大學(xué)建筑學(xué)院

故宮博物院雕塑館，北京，中國(guó)

建筑設(shè)計(jì)：馮崇利，張昕，溫留漢·黑沙/故宮博物院，清華大學(xué)建筑學(xué)院

1 雕塑薈萃館（慈寧宮正殿）/Sculpture Treasury Hall (Main Hall of the Palace of Compassion and Tranquility)

2 雕塑薈萃館平面（慈寧宮正殿）/Plan of the Sculpture Treasury Hall (Main Hall of the Palace of Compassion and Tranquility)

3 雕塑薈萃館剖面（慈寧宮正殿）/Section of the Sculpture Treasury Hall (Main Hall of the Palace of Compassion and Tranquility)

這是一個(gè)極特殊的項(xiàng)目——在慈寧宮古建筑中建造具有現(xiàn)代展示功能的古代雕塑展館，6個(gè)展廳展出近400件雕塑，是目前國(guó)內(nèi)博物館界規(guī)模最大、品類最全的古代雕塑專館。作為跨多學(xué)科的研究型設(shè)計(jì)，本項(xiàng)目在博物館領(lǐng)域形成了多項(xiàng)開(kāi)創(chuàng)性成果：

（1）在設(shè)計(jì)理念上，通過(guò)科學(xué)研究及新技術(shù)運(yùn)用，精確平衡古建保護(hù)、文物保護(hù)、現(xiàn)代展示間的復(fù)雜矛盾；

（2）國(guó)內(nèi)首例采用動(dòng)態(tài)氣象參數(shù)模擬輔助展示設(shè)計(jì)的展覽項(xiàng)目；

（3）專門(mén)研制的仿傳統(tǒng)窗紙的高性能控光玻璃——“紙玻璃”；

（4）首次采用碳纖維框架結(jié)構(gòu)，集成供電與照明系統(tǒng)；

（5）國(guó)內(nèi)首例采用恒壓法測(cè)試展柜密封性的實(shí)驗(yàn)；

（6）實(shí)現(xiàn)了國(guó)內(nèi)博物館界規(guī)模最大、技術(shù)最先進(jìn)的室內(nèi)文物隔震系統(tǒng)。□

This is a relatively special project: the construction of exhibition halls with modern functions of displaying ancient sculptures in the Palace of Compassion and Tranquility. The Sculpture Gallery is divided into six exhibition halls, showcasing nearly 400 pieces of ancient sculptures. It is currently the largest ancient sculpture museum in China. As a multidisciplinary research-led design, the project has earned a number of groundbreaking achievements in the feld of museum design:

(1) Based on scientific research and new technique application, the design work mainly focuses on precisely balancing the complicated contradictions among the protection of ancient architecture, protection of cultural relics and modern display;

(2) The first example of using TMY weather data simulation to aid exhibition design in China;

(3) The high-performance optical glass - "paper glass", is exclusively developed for this project to mimic the sense of traditional Chinese window paper;

(4) For the first time in domestic museums, advanced carbon fiber framework is applied to integrate power supply and lighting systems;

(5) The frst experiment using constant pressure method to test the sealing performance of showcase;

(6) The largest and most technologically advanced design of indoor vibrational isolation system for ancient collection.□

4 雕塑館（慈寧宮）總平面/Overall plan of the Palace Museum Sculpture Gallery (The Palace of Compassion and Tranquility)5 慈寧宮外景/Exterior view of the Palace of Compassion and Tranquility

項(xiàng)目信息/Credits and Data

客戶/Client: 故宮博物院/The Palace Museum

地點(diǎn)/Location: 北京故宮博物院慈寧宮區(qū)域/The Palace of Compassion and Tranquility, Palace Museum, Beijing

合作單位/Design Partner: 廣州大學(xué)/Guangzhou University主創(chuàng)建筑師/Principal Architects: 馮崇利，張昕，溫留漢·黑沙/FENG Chongli, ZHANG Xin, Heisha Wenliuhan

設(shè)計(jì)團(tuán)隊(duì)/Project Team: 周錬，杜異，金長(zhǎng)江，王崢英，王東寧，韓曉偉，夏君天，楊珩，菊池匠，梁超，趙曉波，趙秀芳，鄭春平，劉龑江，宋沛然，關(guān)延青，王俊杰，梁金龍/CHOU Lien, DU Yi, JIN Changjiang, WANG Zhengying, WANG Dongning, HAN Xiaowei, XIA Juntian, YANG Heng, Takumi Kikuchi, LIANG Chao, ZHAO Xiaobo, ZHAO Xiufang, ZHENG Chunping, LIU Yanjiang, SONG Peiran, GUAN Yanqing, WANG Junjie, LIANG Jinlong

建筑面積/Floor Area:1500m2

設(shè)計(jì)時(shí)間/Design Period: 2008-2015

建成時(shí)間/Completion Time: 2016.05

攝影/Photos: 周利/ZHOU Li

評(píng)委評(píng)語(yǔ)

故宮博物院雕塑館項(xiàng)目，一改文物建筑“紀(jì)念碑”利用的傳統(tǒng)模式，真正意義上實(shí)現(xiàn)了文物建筑的活化利用。項(xiàng)目直面文物與利用的矛盾，特殊創(chuàng)造了一系列材料、部品、構(gòu)造、工藝，在光環(huán)境、文物隔震領(lǐng)域做出了重要突破，完成了文物展示元素與文物本體的有機(jī)融合。□

Jury Statement

The Palace Museum Sculpture Gallery project challenges the traditional concept of cultural heritage architecture as a "commemorative monument", and in the truest sense of the word, exploits and utilizes cultural heritage as architecture i.e. a roofed and walled structure. The preservation-VS-usage problem inherent in the project led to the creation of a series of new materials, accessories, constructional details, and techniques, and to an important breakthrough in the fields of light and (anti)vibration. Moreover, the gallery organically integrates the concepts of displaying cultural relics and being a culture relic.□

The Palace Museum Sculpture Gallery, Beijing, China, 2016

Architects: FENG Chongli, ZHANG Xin, Heisha Wenliuhan/The Palace Museum; School of Architecture, Tsinghua University

6 佛教造像館外景（大佛堂）/Exterior view of the Buddhist Statues Hall (The Great Buddha's Hall)7 佛教造像館平面（大佛堂）/Plan of the Buddhist Statues Hall (The Great Buddha's Hall)8 佛教造像館剖面（大佛堂）/Section of the Buddhist Statues Hall (The Great Buddha's Hall)

9.10 佛教造像館（大佛堂）/Buddhist Statues Hall (The Great Buddha's Hall)

11 用特造“紙玻璃”模仿古代窗紙的實(shí)驗(yàn)/Experiment on specially-made "paper glass" imitating ancient window paper

12 漢唐陶俑館（慈寧宮西廡）/Terracotta Figurine Hall of Han and Tang Dynasties (West side of the Palace of Compassion and Tranquility)

13 磚石畫(huà)像館（大佛堂西廡）/Bricks and Stone Portraits Hall (West side of the Great Buddha's Hall)

14 白石造像館（慈寧宮東廡）/White Stone Statues Hall (East side of the Palace of Compassion and Tranquility)

15 隔震系統(tǒng)—柜內(nèi)小型搭橋式隔震臺(tái)/Seismic isolation system - small inside-cabinet bypass type seismic isolation base

16 隔震系統(tǒng)—雕塑薈萃館大佛用十字支承大型隔震臺(tái)/ Seismic isolation system - large cross bracket support seismic isoation base for the Great Buddhas in Scupture Treasury Hall

17 隔震系統(tǒng)—雕塑薈萃館整體布局演示圖/Overall layout illustration of the seismic isolation system in the Scupture Treasury Hall

18.19 大型隔震系統(tǒng)/Large scale seismic isolation system

20 柜內(nèi)小型隔震系統(tǒng)/Inside-cabinet small scale seismic isolation system