（齊魯工業(yè)大學藝術學院，山東 濟南 250000）

【Abstract】： Chinese ancient architecture is an important part of historical relics in china，It is urgent to protect it properly。This paper mainly discusses the historical significance and practical significance of the protection of ancient buildings in china，With the changes of the times， it has been endowed with new cultural connotations。

【Key words】： Chinese ancient architecture； protection； significance

1.the premise of the protection of ancient buildings

The essence of the urban landscape。A large number of ancient buildings enriched the city's environmental art，The single or group of incomplete ancient buildings，The environment needs to be a certain artistic processing and value sublimation design。

The protection of ancient buildings must be carried out in-depth analysis of specific design objects，Profound understanding of the ancient architecture of the image of its own characterisIn a city with profound traditional culture，The ancient architecture is tics， structural characteristics and its requirements for the surrounding environment；The existence of ancient architecture is always in a certain area，It is also an important factor in environmental design to pay attention to the cultural circle。Different cultural circles should have different cultural attributes and landscape features。

2. Reasons for the protection of ancient buildings

As early as sixteenth Century or earlier，China and Europe， Asia， Southeast Asia and other countries have begun to pay attention to the preservation of monuments。After the rise of high-rise buildings， the living space of human beings began to move towards intensive， information intensive，At the same time， it also brings social problems such as environmental pollution， traffic congestion， traffic congestion and crime。The protection of ancient buildings is the inevitable outcome of the process of urban modernization。In the modern buildings，The memories of the nation， the history of climbing and overcoming the difficulties of the ladder， we need to inspire the national spirit reflected in the construction of the city。

3.Protection of different types of ancient buildings

In ancient buildings as the basis， for the development of city park， and the city site in remote areas difficult to save the Dan Zhuanggu building site into the park。So that the site itself has a better green environment， and can form a certain scale and cultural topics。

Single ancient architecture or sculpture sketch of a class of ancient cultural relics， the site around it and no other monuments can be built for Street Park， if possible， should be kept as much as possible and the related debris or relics， caused visitors more reverie， retain more historical information provide much material for thought。

4.Protection of ancient buildings

Generally speaking， the historical and cultural city and the general history of the ancient city， it is not appropriate to make a fundamental change in the historical pattern， which may destroy more historical information， but also the economy， often cause new problems。The correct method should be careful to protect its still applicable or adjusted can adapt to the needs of the modern city history pattern， historical core area on the principle of small range characteristic is strong to preserve the original appearance。

The development of new urban areas， in principle， to leave the old city， during which there is a certain green isolation belt。The structure of the new city， and the old city must have a certain relationship， the plane should be able to reflect the graphic features of the ancient city and the logic of the beautiful patterns。Blind to widen the road， cut straight， inappropriate to open up new roads in the old city area， the historic city of the old city， is inappropriate。

5.The sublimation of the value of ancient architecture

The spatial characteristics of the historical and cultural city， the formation of city image features is many factors harmonized with the product。Urban characteristics are not static， it is also the same as the metabolism of the city itself， to meet the needs of people of different ages and different levels of aesthetic requirements。Therefore， the creation of the image of the city is characterized by a continuous development， continuous change of dynamic creation， each generation has its own beauty， have their own ideals。Historical and cultural city should be in this dynamic universal creation activities， the accumulation of more levels， different times of the people's aesthetic crystallization， for contemporary people to provide a more perfect， more ideal urban space。

作者簡介：房靜（1991—），女，漢族，籍貫：山東濟寧人，齊魯工業(yè)大學藝術學院，15級在讀研究生，碩士學位，專業(yè)：環(huán)境藝術研究方向。