博覽群書

The book, written by Liang Han'er, portrays the lives of Chinese born in the 1960s vividly. Acid, humorous, and descriptive, the author recalls the most important political events and ref l ects the impacts of the social environment on that generation, ref l ecting changes in times and thoughts.

BORN IN THE 1960S

《生于六十年代》

《生于六十年代》(梁漢兒 著)，是一幅六十年代生人的長軸畫卷 。作者用尖新幽默的語言，沉穩(wěn)老辣的文筆，通過對(duì)自己豐富曲折閱歷的記述，追述了自六十年代伊始的政治事件、社會(huì)環(huán)境對(duì) “那一代人”的影響，折射出時(shí)代變遷下的心路歷程。

China Collectors∶ America's Century-Long Hunt for Asian Art Treasuresis the yearly bestseller of The Washington Post. Through reviewing private files, archives, and memoir of significant figures, the two authors, Karl E. Meyer and Shareen B. Brysac provide a full account of how Western collectors managed to hunt art pieces in China from the Opium Wars to 1949. These antiques outside China later played a significant role in the rapid development of overseas China art market and initiated the endeavour of Chinese collectors

who try to bring these precious artworks home.

CHINA COLLECTORS: AMERICA'S CENTURYLONG HUNT FOR ASIAN ART TREASURES

《誰在收藏中國》

本書是《華盛頓郵報(bào)》年度最佳非虛構(gòu)作品。兩位作者卡爾·梅耶、謝林·布里薩克，通過查閱私人文件、歷史檔案，以及主要人物的回憶錄，詳細(xì)敘述了從鴉片戰(zhàn)爭(zhēng)到1949年這段時(shí)期，西方收藏家是如何想方設(shè)法獲得中國藝術(shù)品的。這些文物最終催生了中國古董市場(chǎng)在歐美的蓬勃發(fā)展，也激發(fā)了中國人依靠藝術(shù)市場(chǎng)促使國寶回歸的努力。

This is a collection of reviews on films and film industry by A Lang, a former media personality. Taking films both as art and commercial products, the author writes about aspects of the movie, including the capital, ticket box, directors, casts, audiences, humanity, ethics, technology, and daily issues.

A LANG'S FILM REVIEW

《并指如刀》

這是一個(gè)媒體人對(duì)電影以及相關(guān)產(chǎn)業(yè)的獨(dú)立思考和批評(píng)。作者阿郎剖析了電影既作為藝術(shù)又作為商品的光怪陸離的方方面面，涵蓋電影工業(yè)、資本、票房、導(dǎo)演、演員、觀眾、人性、道德、技術(shù)、日常生活等話題，沒有晦澀高深，只有并指如刀的凌厲。