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        績(jī)溪博物館,績(jī)溪,中國(guó)

        2015-12-19 02:20:42李興鋼,張音玄,張哲
        世界建筑 2015年3期
        關(guān)鍵詞:張哲績(jī)溪內(nèi)景

        績(jī)溪博物館,績(jī)溪,中國(guó)

        Jixi Museum, Jixi, China, 2013

        建筑設(shè)計(jì):李興鋼,張音玄,張哲,邢迪/中國(guó)建筑設(shè)計(jì)院有限公司

        Architects: LI Xinggang, ZHANG Yinxuan, ZHANG Zhe, XING Di/China Architectural Design Institute Co., Ltd.

        1 鳥瞰/Aerial view

        2.3 剖面/Section

        績(jī)溪博物館是一座包括展示空間、4D影院、觀眾服務(wù)、商鋪、行政管理和庫(kù)藏等功能的中小型地方歷史文化綜合博物館。

        整個(gè)建筑覆蓋在一個(gè)連續(xù)的屋面下,起伏的屋面輪廓和肌理仿佛績(jī)溪周邊山形水系,又與整個(gè)城市形態(tài)自然地融為一體。

        為盡可能保留用地內(nèi)的現(xiàn)狀樹木,建筑設(shè)置多個(gè)庭院、天井和街巷;沿街巷內(nèi)部設(shè)置東西兩條水圳,匯聚于主入口大庭院內(nèi)的水面;南側(cè)設(shè)內(nèi)向型的前庭——“明堂”,符合徽派民居的布局特征;主入口正對(duì)方位設(shè)置一組被抽象化的假山。圍繞“明堂”、大門、水面設(shè)有對(duì)市民開放的立體觀賞流線,將游客緩緩引至建筑東南角的“觀景臺(tái)”,俯瞰建筑的屋面、庭院和遠(yuǎn)山。

        規(guī)律性組合布置的三角屋架單元,適應(yīng)連續(xù)起伏的屋面形態(tài);在適當(dāng)采用當(dāng)?shù)貍鹘y(tǒng)建筑技術(shù)的同時(shí),靈活地使用石、瓦等當(dāng)?shù)夭牧?,并使之呈現(xiàn)出當(dāng)代感。

        4 展廳內(nèi)景/Interior view of the exhibition

        Jixi Museum is located in the north of the Jixi old town in Anhui Province. The entire building is covered under a continuous roof with undulating profile and texture that mimic the mountains and waterways surrounding the county. Once other buildings in the old town are restored to the traditional Hui style, the museum will fit in even more naturally within the overall townscape.

        In order to preserve the existing trees on site as many as possible, multiple courtyards, patios and alleys are introduced into the overall layout of the building. Two waterways are designed along the alleys, eventually converging into the pool in the large courtyard at the main entrance. An introvert courtyard named as "Ming Tang" sits in the southern portion of the building. Directly opposite from the main entrance, there is a group of abstract rockery. A tourism route goes around "Ming Tang" and guides visitors to the "sightseeing platform" at the southeast corner of the building, where they can overlook the building's roof-scape, the courtyards and the mountains in a distance.

        Triangular steel structural trusses adapt well to the undulating roof. Local building materials such as stones and clay roof tiles are used in modern and innovative ways to pay respect to history yet to respond to our present times.

        項(xiàng)目信息/Credits and Date

        客戶/Client: 績(jī)溪縣文化局/Cultural Affairs Bureau of Jixi

        設(shè)計(jì)團(tuán)隊(duì)/Project Team: 中國(guó)建筑設(shè)計(jì)院有限公司(建筑設(shè)計(jì))/李興鋼,張音玄,張哲,邢迪,張一婷,易靈潔,鐘曼琳(建筑師);王立波,楊威,梁偉(結(jié)構(gòu)設(shè)計(jì));李力,于超(景觀設(shè)計(jì))/China Architecture Design Institute Co., Ltd. (Architectural Design)/LI Xinggang, ZHANG Yinxuan, ZHANG Zhe, XING Di, ZHANG Yiting, YI Lingjie, ZHONG Manlin (Architects); WANG Libo, YANG Wei, LIANG Wei (Structure Design); LI Li, YU Chao (Landscape Design)

        建筑面積/Floor Area: 10,003m2

        設(shè)計(jì)時(shí)間/Design Period: 2009.11-2010.12

        建造時(shí)間/Construction: 2010.12-2013.11

        攝影/Photos: 夏至/XIA Zhi (Fig. 1, 4-6, 8, 9, 11),李興剛工作室/Atelier LI Xinggang (Fig. 7)

        5 二層游廊/Veranda on second floor

        6 主庭院折橋/Zigzag in the main courtyard

        7 山院/Mountain courtyard

        9 序言廳內(nèi)景/Interior view of the preface hall

        10 首層平面/Floor 0 plan

        11 建筑屋頂與遠(yuǎn)山/View of distant mountains over the roof

        評(píng)委評(píng)語

        績(jī)溪博物館系統(tǒng)地呼應(yīng)和解決了舊城保護(hù)、更新與活化的問題。作品在文學(xué)、哲學(xué)、藝術(shù)、空間各個(gè)層次上付諸思考與聯(lián)結(jié),并同當(dāng)代與未來的變化活生生地對(duì)應(yīng)。在舊城的尺度處理上,作品以聚落的手法,融入富于變化但節(jié)制的屋頂、庭院等語言,并不拘泥舊陳。更為重要的是,作品反映出小城鎮(zhèn)高雅的文化姿態(tài),以地域的態(tài)度鋪陳和提升了屬于中國(guó)地方城市的文化歷史品質(zhì)與自信。個(gè)中的道理,就是將大眾生活、人文的雅致與自然環(huán)境轉(zhuǎn)化為可以預(yù)見的在地的未來。

        Jury Statement:

        The project systematically responds to and solves issues caused by conservation, renewal, and revitalization of old towns. The design gives consideration on various aspects, including literature, philosophy, art, and space, and tries to build up connections among them. Moreover, it confronts changes in contemporary and future lives in an active way. To adapt to the scale of the old town, the project is designed as a settlement with rich changes in the roof's profile and courtyard's layout but in a controlled manner, instead of confining itself within the conventional rules. More importantly, it showcases the elegant cultural character of this small town, and elaborates and promotes the quality and confidence of the culture and history possessed by such small Chinese towns with a regional perspective. The concept of the design is to transform the life of ordinary people, the elegance of culture, and the natural environment into a foreseeable and localized vision for the future.

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