上海當(dāng)代藝術(shù)博物館，上海，中國

Power Station of Art, Shanghai, China, 2012

建筑設(shè)計：章明，張姿/同濟大學(xué)建筑設(shè)計研究院（集團）有限公司，原作設(shè)計工作室

Architects: ZHANG Ming, ZHANG Zi/Tongji Architectural Design (Group) Co., Ltd. + Original Design Studio

1 8.8m標(biāo)高開放展區(qū)內(nèi)景/Interior view of the +8.8m open exhibition

作為2010年上海世博會后續(xù)利用與開發(fā)的重點項目，上海當(dāng)代藝術(shù)博物館由世博會城市未來館改擴建而成，而城市未來館的前身則是建成于1985年的上海南市發(fā)電廠主廠房及煙囪。經(jīng)歷了全方位改造后的原南市電廠已經(jīng)蛻變?yōu)楣δ芡晟?、空間整合、動線清晰的充滿人文氣息與藝術(shù)魅力的城市公共文化平臺。

它以一種歷史敘事的方式結(jié)束了其輝煌的工業(yè)時代的使命。6年的艱辛設(shè)計歷程見證了一個昔日能源輸出的龐大機器如何轉(zhuǎn)變?yōu)橥苿游幕c藝術(shù)發(fā)展的強大引擎。它的落成將改變上海乃至整個中國的藝術(shù)格局，并將與展示古代藝術(shù)的上海博物館、展示近現(xiàn)代藝術(shù)的中華藝術(shù)宮互相呼應(yīng)，使上海藝術(shù)展藏的格局更為完整，脈絡(luò)更為清晰。

它對原有南市電廠的有限干預(yù)，最大限度地讓廠房的外部形態(tài)與內(nèi)部空間的原有秩序和工業(yè)遺跡特征得以體現(xiàn)，同時又刻意保持了時空跨度上的明顯痕跡，體現(xiàn)新舊共存的特有的建筑特征。它以開放性與日常性的積極姿態(tài)融于城市公共文化生活，以空間的延展性蓄意模糊了公共空間與展陳空間的界定，不僅為顛覆傳統(tǒng)意義上人與展品間的關(guān)系創(chuàng)造諸多機會，更為日常狀態(tài)的引入提供最大可能性。它以多樣性與復(fù)合性的文化表達(dá)詮釋人與藝術(shù)的深層關(guān)系，以漫游的方式打開了以往展覽建筑封閉路徑的壁壘，開拓出充滿變數(shù)的彌漫性的探索氛圍。

它是一個觸手可及的藝術(shù)館，一個公平分享藝術(shù)感受的精神家園，更是一個充滿人文關(guān)懷的城市公共生活平臺。

項目信息/Credits and Date

客戶/Client: 上海世博土地控股有限公司/Shanghai ExpoLand, Co., Ltd.

設(shè)計團隊/Project Team: 同濟大學(xué)建筑設(shè)計研究院（集團）有限公司，同濟·原作設(shè)計工作室（建筑設(shè)計）/章明，張姿（主持建筑師）；丁闊，丁純，孫嘉龍，王志剛，章昊（建筑師）/Tongji Architectural Design (Group) Co., Ltd. & Original Design Studio (Architectural Design)/ZHANG Ming, ZHANG Zi (Principal Architects); DING Kuo, DING Chun, SUN Jialong, WANG Zhigang, ZHANG Hao (Architects)

地址/Location: 上海市黃浦區(qū)花園港路200號/200 Huayuangang Road, Huangpu District, Shanghai

基地面積/Site Area: 19,103m2

建筑面積/Floor Area: 41,000m2

層數(shù)/Stories: 8

設(shè)計時間/Design period: 2011.03-2012.03

建造時間/Construction: 2011.12-2012.09

攝影/Photos: 王遠(yuǎn)/WANG Yuan (Fig. 1, 2)，張嗣燁/ZHANG Siye (Fig. 3, 4, 8)

2 10.25m標(biāo)高臨江平臺外景/Exterior view of the +10.25m riverside platform

3 中庭內(nèi)景/Interior view of the atrium

As a key post-event reuse project following the 2010 Shanghai Expo, the Power Station of Art is a transformation and expansion project based on the Pavilion of Future which was previously the Shanghai South City Power Station built in 1985. Nowadays, the building has become a well-programmed and artistically designed public platform.

The design ends the station's magnificent industrial mission in a historical and narrative manner which lasted for 6 years. This difficult design process witnessed the building's transformation from a giant energy production machine to a powerful engine promoting culture and art. The completion of this project greatly alters the existing structure of the art field in Shanghai and maybe even in China. Complementing the Shanghai Museum (for ancient art) and the China Art Palace (for modern art), the Power Station of Art (for contemporary art) will fill the gap in the field of art exhibition in Shanghai.

Through limited intervention, the project aims to keep the building's existing spatial sequence as well as its industrial characteristics. It also purposefully exhibits the differences caused by time and space span by juxtaposing the new and the old. It presents a hospitable gesture toward the city and blurs the boundary between leisure space and exhibition space, changing the traditional relationship between the visitors and the exhibition. This strategy successfully transforms visiting behavior into part of daily lives. Through diverse and complex cultural expressions, the design tries to interpret the underlying relationship between human and art. It challenges the traditional singlepath visiting system by providing a free-stroll multiple-choice path system for the visitors, creating more opportunities for art exploration.

Overall, it is an accessible art gallery and a spiritual place to share artistic experience, as well as a humanistic public platform.

4 煙囪及輔助建筑外景/Exterior view of the chimney and the subsidiary building

5 首層平面/Floor 0 plan

6 南立面/South elevation

7 剖面/Section

8 主館與煙囪間空中連廊/Corridor connecting the main building and the chimney

9 剖面/Section

評委評語

該建筑經(jīng)歷了2010上海世博和后世博的功能置換轉(zhuǎn)型和適應(yīng)性再利用，完成了從工業(yè)時代的地標(biāo)到市民公共活動場所的“華麗轉(zhuǎn)身”。設(shè)計很好地保存和延續(xù)了工業(yè)建筑巨碩的空間結(jié)構(gòu)、體量的理性構(gòu)型，通過對公眾性、日常性的城市活力的重新詮釋，設(shè)計創(chuàng)造出豐富而簡約的博物館空間，建筑濱水空間處理也很有新意，總體的設(shè)計完成度較高。建筑除常規(guī)展覽外，迄今已成功舉辦多次有影響的公共文化和藝術(shù)活動，成為城市日常性文化事件發(fā)生的舞臺，顯著體現(xiàn)了建筑的“城市貢獻”。

Jury Statement

The building experienced the 2010 Shanghai Expo and the post-event functional transformation and adaptable reuse, achieving a "marvelous turnaround" from an industrial landmark to a public space for common citizens. The design successfully preserves the giant spatial structure and the rational form organization of the industrial building. Through renewed interpretation of the vitality of the public and daily urban activities, the design creates a rich and clean museum space with a creative waterfront. The overall design achieves a high completion level. Besides regular exhibitions, the Power Station of Art has held many influential public cultural and art events and provides a stage for daily cultural activities, making great "urban contribution" to the city.