四川美術(shù)學(xué)院虎溪校區(qū)圖書(shū)館，重慶，中國(guó)

Sichuan Fine Arts Institute Library of Huxi Campus, Chongqing, China, 2009

項(xiàng)目設(shè)計(jì)：湯樺/深圳湯樺建筑設(shè)計(jì)事務(wù)所有限公司

Project Design: TANG Hua/Tanghua Architects Shenzhen Co., Ltd.

1 外景/Exterior view

2 立面細(xì)部/Details on the fa?ade

3 入口/Entrance

四川美術(shù)學(xué)院虎溪校區(qū)圖書(shū)館的設(shè)計(jì)立足于地域傳統(tǒng)的鄉(xiāng)土性，取材于重慶地方隨處可見(jiàn)的建筑原型，如磚窯、倉(cāng)庫(kù)等，以簡(jiǎn)潔整體的形式屹立于山地中，與校園已形成的小體量分散布局的建筑物形成對(duì)比。地域精神的建筑形式與刻意保留和設(shè)計(jì)的農(nóng)業(yè)景觀形成有意味的關(guān)系；簡(jiǎn)明的體型在創(chuàng)造最大化的空間通用性的同時(shí)，也暗合了傳統(tǒng)建筑空間的構(gòu)成方式。

材料的選擇除了依據(jù)其構(gòu)造邏輯外，更重要的是考慮到歷史邏輯。建筑主體的外表皮采用青色粘土磚疊砌，由屋面到墻身，并一直延伸到廣場(chǎng)地面。內(nèi)部墻體及梁柱則采用清水混凝土，與外表青磚在色彩、質(zhì)感上統(tǒng)一且具有變化。在外墻和內(nèi)部樓梯間均使用了木材。建筑山墻面和空中花園四周則大量使用玻璃，以使圖書(shū)館內(nèi)部活動(dòng)能夠清晰展示出來(lái)。

The library stands on the hill. The minimal and unitary form distinguishes itself from the existing small buildings that scatter around campus. The form is derived from the vernacular architectures in Chongqing, such as brick kiln and warehouse etc. An interesting relationship is formed between the architectural form that represents the local spirit and the agricultural landscape that has been reserved purposely. Its simple volume maximizes the versatility of space, implying the spatial structure of traditional architecture in Sichuan region.

In material selection, except structural logic, more concerned is given to that of history. The exterior walls use grey clay bricks, which extend from the roof to the walls and continue downwards to the ground of the outside open space. The interior walls as well as the beams and columns are constructed in concrete to resonate with, and at the same time to distinguish from, the color and texture of the exterior grey bricks. Timber is used for both the exterior walls and the interior staircase. A large quantity of glass is used on gable-side facades and around the roof garden to expose activities inside the library to the outside.

項(xiàng)目信息/Credits and Data

客戶/Client: 四川美術(shù)學(xué)院/Sichuan Fine Arts Institute

設(shè)計(jì)團(tuán)隊(duì)/Project Team: 湯樺，胡錚，蘇衛(wèi)東，唐可峙，周瑛芝，黃杰，曹華/TANG Hua, HU Zheng, SU Weidong, TANG Kezhi, ZHOU Yingzhi, HUANG Jie, CAO Hua

建筑面積/Floor Area: 14,259.44m2

設(shè)計(jì)時(shí)間/Design Period: 2007-2009

攝影/Photos: 戴瓊/DAI Qiong (Fig.1), 湯樺/TANG Hua (Fig.2), 四川美術(shù)學(xué)院/Sichuan Fine Arts Institute (Fig.3),傅興建筑攝影工作室/FUXing Architectural Photography (Fig.8-12)

4 首層平面/Floor 0 plan

5 二層平面/Floor 1 plan

6 三層平面/Floor 2 plan

7 剖面/Section

評(píng)委評(píng)語(yǔ)

四川美術(shù)學(xué)院虎溪校區(qū)開(kāi)創(chuàng)了高等院校規(guī)劃建設(shè)的新模式，將自然環(huán)境和原住民的生活保留其中，形成校園建筑與師生積極互動(dòng)的局面，由此也擺脫了建筑設(shè)計(jì)一味追求形式表現(xiàn)的常態(tài)。輕松的建筑更好地創(chuàng)造了服務(wù)于教學(xué)、師生的創(chuàng)作與交流的可能，建筑尺度與環(huán)境關(guān)系和諧，共同構(gòu)成自然與人工的良性發(fā)展。

Jury Statement

By preserving the original natural environment and the lifestyle of local residents, the Huxi Campus of Sichuan Fine Arts Institute has created a new model for university planning and construction. The design initiates an active interaction between campus buildings and teachers and students instead of blindly following the common practice of pursuing architectural forms only. The relaxing building offers better services for education and generates more communication between teachers and students. Also the harmony between architectural scale and the environment greatly contributes to the balance of natural and artificial developments.

8 外景/Exterior view

9-11 內(nèi)景/Interior view

12 入口/Entrance