建筑設(shè)計(jì)：坂茂建筑事務(wù)所

仙石原別墅，神奈川，日本

建筑設(shè)計(jì)：坂茂建筑事務(wù)所

1 鳥(niǎo)瞰/Aerial view

這座2層的木結(jié)構(gòu)住宅位于一塊旗桿形的場(chǎng)地上。30m×30m見(jiàn)方的平面里是一個(gè)直徑15m的內(nèi)院。主起居室在內(nèi)院中央。所有的空間都從入口處以放射形排列。分隔主起居室與內(nèi)院的8扇推拉門(mén)可以隨時(shí)開(kāi)啟，形成一個(gè)大空間。結(jié)構(gòu)由75mm×350mm的L形木柱和梁組成，同樣以放射形排列，形成一個(gè)單坡大屋頂。大屋頂?shù)母叨仁亲兓?，形成?.4m～7.5m不等的室內(nèi)凈空。（尚晉 譯）

2 剖面/Section

3 庭院/Courtyard

The 2-storey wood structure residence is situated on a site of flag-pole shape. In the plan of 30m squares there is an interior courtyard with a diameter of 15m, in the center of which the main living room is situated. All spaces are arranged radially from the entrance. The 8 sliding doors separating the main living room and interior courtyard can be opened at any time to form a huge space. The structure is made up of wooden columns and beams, which are 75mm×350mm L-shaped pieces, and which are also arranged in a radial manner, creating a large one way sloped roof. The large roof varies in height, achieving ceiling heights between 2.4m to 7.5m.

項(xiàng)目信息/Credits and Data

項(xiàng)目團(tuán)隊(duì)/Project Team: Shigeru Ban, Nobutaka Hiraga, Jun Matsumori, Wataru Sakaki

結(jié)構(gòu)設(shè)計(jì)/Structural Engineers: Hoshino Architect & Engineer

總承建方/General Contractor: Hakone Construction

主要結(jié)構(gòu)/Main Structure: 木結(jié)構(gòu)/Timber

場(chǎng)地面積/Site Area: 1770.00m2

基底面積/Building Area: 576.89m2

總建筑面積/Total Floor Area: 1452.60m2

層數(shù)/Number of Floor: +2

建成時(shí)間/Construction Period: 2013.08

攝影/Photos: Hiroyuki Hirai

4 總平面/Site plan

評(píng)論

劉彤彤：?jiǎn)渭兊男误w、簡(jiǎn)潔的空間、樸素的材料、靜謐的色調(diào)，似乎是這一代建筑師共同的特點(diǎn)。該作品同樣并不追求復(fù)雜的空間變化，而是以連續(xù)的界面和向中庭完全開(kāi)敞的方式，表達(dá)建筑師對(duì)場(chǎng)地和空間使用的理解。另外，精良的施工、柔和的光線、素材的肌理以及構(gòu)造的韻律之美，為簡(jiǎn)潔的建筑空間賦予了獨(dú)特的氣質(zhì)。

青鋒：這個(gè)項(xiàng)目的主要挑戰(zhàn)是如何占據(jù)過(guò)于寬裕的地段。建筑師選擇了一種簡(jiǎn)潔、高效的手段，將絕大多數(shù)面積圍合成為內(nèi)院。結(jié)構(gòu)體系的連續(xù)與變化是建筑師最擅長(zhǎng)的手段，進(jìn)一步強(qiáng)化了建筑的純凈。統(tǒng)一的體量、大量的開(kāi)放空間、清晰的流線很容易讓人誤以為這是一個(gè)公共建筑，主要房間的奇異形狀也可能對(duì)居住使用帶來(lái)不便。

Comments

LIU Tongtong: Elementary geometric forms, simple spaces, natural materials and quiet elegant tone seem to be the common features of this generation's works. Similarly, rather than going after complicated forms and spaces, the architect expresses his understanding of site and space usage by a continuous interface and an interior completely open to the courtyard. In addition, the simple architectural space is endowed with a unique character with good quality construction, soft lights, natural texture of timber and rhythmic beauty of structure.

QING Feng: The main challenge of this project is how to occupy the over-sized land.The architect chose a laconic and efficient way, turning a large portion of land into an inner courtyard. The continuity and variety of structure is the most successful strategy of Shigeru Ban. It enhances the purity of architecture. In this building, the unified volume, plenitude of open spaces and clear linear circulation may easily mislead people to take it as a public building. On the other hand, the strange shapes of the major rooms might be inconvenient for the residents.

Villa at Sengokubara, Kanagawa, Japan, 2013

Architects: Shigeru Ban Architects

6 夜景/Night view

8 首層平面/Floor 0 plan

7 軸測(cè)示意/Axonometric diagram

11 細(xì)部/Detail

12 剖面細(xì)部/Details on the section

13.14 內(nèi)景/Interior view

15 細(xì)部/Detail