夏之明

日前，在杭州浙江美術(shù)館舉辦的“百代風(fēng)范—中國現(xiàn)代繪畫藝術(shù)典藏大展”吸引了眾多的中外參觀者，受到廣泛好評(píng)。典藏大展上大師云集、名家薈萃、精品迭出，是中國現(xiàn)代繪畫發(fā)展歷史的生動(dòng)再現(xiàn)。

此次現(xiàn)代繪畫藝術(shù)典藏大展集結(jié)了現(xiàn)代繪畫史上各個(gè)畫派以及50余位代表畫家的170余件精品佳作。

中國現(xiàn)代繪畫藝術(shù)流派紛呈，“新京津畫派”、“新海上畫派”、“新金陵畫派”、“新浙派”、“新嶺南畫派”、“新長安畫派”等皆獨(dú)擅勝場，各顯風(fēng)流，盡享盛譽(yù)。開一代新風(fēng)的名家大師更是風(fēng)采燦然，神韻獨(dú)具。齊白石、黃賓虹、徐悲鴻、潘天壽、林風(fēng)眠、吳湖帆、張大千、傅抱石、李可染、黃胄、陸儼少、李苦禪、黃君璧、溥儒、黎雄才、關(guān)山月等，每一位都是中國現(xiàn)代藝術(shù)史上舉足輕重的代表人物。展覽中的齊白石《芭蕉書屋圖》、黃賓虹《山居讀書圖》、徐悲鴻《三獅圖》、潘天壽《耕罷圖》、林風(fēng)眠《南天門圖》、張大千《天女散花圖》、傅抱石《讀畫圖》、李可染《韶山圖》、吳湖帆《仿黃公望富春山居圖》等珍品，讓人們?cè)俣么髱燂L(fēng)采，為欣賞、研究、收藏中國繪畫提供了難得的寶貴圖像資料。

此次大展是中國現(xiàn)代繪畫的珍品大薈萃，是一幅中國現(xiàn)代繪畫藝術(shù)發(fā)展的歷史畫卷，也是傳承經(jīng)典文化的一次大檢閱。大展所展現(xiàn)的各畫派藝術(shù)風(fēng)格，無疑構(gòu)成了一部直觀的現(xiàn)代繪畫史。這對(duì)廣大藝術(shù)工作者和藝術(shù)愛好者來說，是一次學(xué)習(xí)借鑒優(yōu)秀傳統(tǒng)文化的極好機(jī)會(huì)。

Zhejiang Art Museum Displays Modern Masterpieces

By Xia Zhiming

Zhejiang Art Museum held an exhibition of modern Chinese masterpieces from October 17 to 28. There were altogether 170 artworks of more than 50 masters representing all major art schools in modern China since the early 20th century. All the exhibits are from private collections at home and abroad.

The major artists represented at the exhibition include Qi Baishi， Huang Binhong， Xu Beihong， Pan Tianshou， Lin Fengmian， Wu Hufan， Zhang Daqian， Fu Baoshi， Li Keran， Huang Zhou， Lu Yanshao， Li Kuchan， Huang Junbi， Fu Ru， Li Xiongcai， and Guan Shanyue. The major schools such as New Beijing and Tianjin School， New Shanghai School， New Jinling School， New Zhejiang School， New Linnan School and New Changan School were represented at the exhibition. Each plays a part in the history of modern Chinese painting and they represent the trends and developments of Chinese painting of the 20th century.

The exhibition displays the best by masters and reviews the classics of modern Chinese painting. All the styles and schools add up to a visual history of modern Chinese painting. For artists and art enthusiasts， the exhibition offered a good opportunity to immerse themselves in traditional art.

The exhibition was highly applauded by the media as a rare showcase of masters. It is a review of the past achievements and developments of Chinese modern painting.