與萬物的對話
——米爾他·卡帕拉里的個人自述

ADIALO GUEW ITHTH EM ATTER——MIRTHA CAPPELLARI PERSONAL STATEMENT

有時，我不知道我在尋找一種怎樣的表現(xiàn)形式……或者說，好像是這些表現(xiàn)形式在尋找我。

當(dāng)我準(zhǔn)備在一塊泥土上進(jìn)行創(chuàng)作時，是這塊泥土本身引導(dǎo)我的下一步行動。我用手和手中創(chuàng)作出來的作品表達(dá)自己的感情。當(dāng)我試圖向人們解釋的我創(chuàng)作過程時，我也許就是談?wù)撊藗兯f的靈感。

在這里，阿根廷的中心地區(qū)，所有的氣流在這里交匯融合，土地向我奉獻(xiàn)出她千百年來形成的巖土。這也就是為什么我全說，將泥土拿在手上這本身也是一種儀式。在那時，我的靈魂脫離了外界環(huán)境。

我認(rèn)為，我的工作就是不斷地探索如何詮釋我作為人或者說作為女人的體驗(yàn)，因?yàn)槲遗蕴卣髫灤┝宋业恼麄€創(chuàng)作。每當(dāng)回憶起我的作品和構(gòu)思這些作品的體驗(yàn)后，我開始意識到這一點(diǎn)。

Sometimes I don'tknow what shapes I'm looking for...it is the other way round,as if shapes were looking for me.

When I work on a pieceitis the clay it self,which I prepare and work with,that dictates my next movement.I express with my hands and with what comes outofthem.When Itry to explain my working process,maybe I'm talking about what others call inspiration.

Here,in the centre of Argentina,where allwinds meetand cross,the earth givesme the produc to fhercen turi esofformation.That iswhyt aking the clayin my hands is aritualinit self.At that moment,I remove myself from my surroundi ngs.

I feel that my work is a constant search to express my experiences as person-wom an,as myfemal econdition i spresentt hroughout my work.I become aware of this,after remembering my pieces and the experiences that gestated them.